The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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1 - 5 találat összesen 43 találatból.
vii. oldal
... Arden's crime 6 Silence and speech 7 Finding a place 8 Conclusion: changing the present Notes Bibliography Index ix 13 55 93 129 I49 192 222 225 227 245 This page intentionally left blank .JL. PREFACE T This book Table of Contents.
... Arden's crime 6 Silence and speech 7 Finding a place 8 Conclusion: changing the present Notes Bibliography Index ix 13 55 93 129 I49 192 222 225 227 245 This page intentionally left blank .JL. PREFACE T This book Table of Contents.
x. oldal
... present, is about what it is to be a subject — in the process of making decisions, taking action, falling in love, being a parent. . .. Fictional texts also address themselves to readers or audiences, offering them specific subject ...
... present, is about what it is to be a subject — in the process of making decisions, taking action, falling in love, being a parent. . .. Fictional texts also address themselves to readers or audiences, offering them specific subject ...
1. oldal
... present. And yet it is always from the present that we produce this knowledge: from the present in the sense that it is only from what is still extant, still available, that we make it; and from the present in the sense that we make it ...
... present. And yet it is always from the present that we produce this knowledge: from the present in the sense that it is only from what is still extant, still available, that we make it; and from the present in the sense that we make it ...
2. oldal
... present, to produce for it a meaning intelligible from our own place in history. To read the past, to read a text from the past, is thus always to make an interpretation which is in a sense an anachronism. Time travel is a fantasy. We ...
... present, to produce for it a meaning intelligible from our own place in history. To read the past, to read a text from the past, is thus always to make an interpretation which is in a sense an anachronism. Time travel is a fantasy. We ...
8. oldal
... present. But liberal humanism, which in another sense of both those plural terms is often neither liberal nor humanist, is a contradictory phenomenon. While it is true that major reforms have been made in its name, it also provides the ...
... present. But liberal humanism, which in another sense of both those plural terms is often neither liberal nor humanist, is a contradictory phenomenon. While it is true that major reforms have been made in its name, it also provides the ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance classic realism Cleopatra commonwealth confined conflict death defined definition Devil difference difficulty discourse discursive knowledge divorce Dod and Cleaver drama effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction figure final finally find first freedom God’s Griselda Hamlet heaven hell hero Hieronimo humanist husband ibid identifies implies instance justice king liberal humanism Mankind Mariam marriage marry meaning monarch moral murder narrative nature obedience offers patriarchal play political present reflection Renaissance revenge revenge plays romantic love Sejanus sense seventeenth century sexuality signified signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak specific spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria wife woman women worldly