The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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1 - 5 találat összesen 84 találatból.
1. oldal
... play by Shakespeare, as Hamlet. But this is only the beginning of the problem. Even if there were a pristine Hamlet, an authorized version direct from the pen of Shakespeare, we should still have no choice but to read it from the ...
... play by Shakespeare, as Hamlet. But this is only the beginning of the problem. Even if there were a pristine Hamlet, an authorized version direct from the pen of Shakespeare, we should still have no choice but to read it from the ...
6. oldal
... play of meaning as it slides towards plurality. Alternative discourses propose alternative knowledges, alternative ... plays and players is indicative of the government's concern with the political implications of drama. The Stuarts ...
... play of meaning as it slides towards plurality. Alternative discourses propose alternative knowledges, alternative ... plays and players is indicative of the government's concern with the political implications of drama. The Stuarts ...
10. oldal
... plays I discuss in detail in this book are locations of the intersection of rival discourses, and this rivalry is not resolved. Tragedy is no more, however, than a point of departure. I make considerable reference to plays not classed ...
... plays I discuss in detail in this book are locations of the intersection of rival discourses, and this rivalry is not resolved. Tragedy is no more, however, than a point of departure. I make considerable reference to plays not classed ...
13. oldal
... play at the inevitable moment in the future when Mankind's death will release it from its temporary alliance with the body. In between, Mankind's destiny is to wander about this earth on which he has been born. He is the site of a ...
... play at the inevitable moment in the future when Mankind's death will release it from its temporary alliance with the body. In between, Mankind's destiny is to wander about this earth on which he has been born. He is the site of a ...
15. oldal
... play. As the protagonist, Mankind says relatively little. In the playing area all the authority, visually and intellectually, belongs to the figures who tower above him on their scaffolds or discuss him in the third person. His assent ...
... play. As the protagonist, Mankind says relatively little. In the playing area all the authority, visually and intellectually, belongs to the figures who tower above him on their scaffolds or discuss him in the third person. His assent ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance classic realism Cleopatra commonwealth confined conflict death defined definition Devil difference difficulty discourse discursive knowledge divorce Dod and Cleaver drama effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction figure final finally find first freedom God’s Griselda Hamlet heaven hell hero Hieronimo humanist husband ibid identifies implies instance justice king liberal humanism Mankind Mariam marriage marry meaning monarch moral murder narrative nature obedience offers patriarchal play political present reflection Renaissance revenge revenge plays romantic love Sejanus sense seventeenth century sexuality signified signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak specific spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria wife woman women worldly