The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
Részletek a könyvből
1 - 5 találat összesen 44 találatból.
1. oldal
... effect of producing a range of interpretations. In the case of Hamlet the 'document', the written text, is not one but several, the effects of editorial accretions on the basis of three distinct Iacobean versions, each new edition the ...
... effect of producing a range of interpretations. In the case of Hamlet the 'document', the written text, is not one but several, the effects of editorial accretions on the basis of three distinct Iacobean versions, each new edition the ...
2. oldal
... effect is of a single but differentiated plane. The two storeys, with regularly positioned long, slender windows, are surmounted by a hipped roof with a row of dormer windows. The emphasis is on proportion and elegance, and decoration ...
... effect is of a single but differentiated plane. The two storeys, with regularly positioned long, slender windows, are surmounted by a hipped roof with a row of dormer windows. The emphasis is on proportion and elegance, and decoration ...
3. oldal
... effect of reducing its strangeness. But Iacobean Felbrigg makes no effort to subdue its own self-display or to bring the details of its decoration into harmony with classical proportion. It does not, in other words, submit to the gaze ...
... effect of reducing its strangeness. But Iacobean Felbrigg makes no effort to subdue its own self-display or to bring the details of its decoration into harmony with classical proportion. It does not, in other words, submit to the gaze ...
5. oldal
... effect of the meanings it seems to possess. Subjectivity is discursively produced and is constrained by the range of subject-positions defined by the discourses in which the concrete individual participates. Utterance — and action ...
... effect of the meanings it seems to possess. Subjectivity is discursively produced and is constrained by the range of subject-positions defined by the discourses in which the concrete individual participates. Utterance — and action ...
6. oldal
... effect of difference. A specific discourse is always embattled, forever defending the limits of what is admissible, legitimate or intelligible. attempting to arrest the play of meaning as it slides towards plurality. Alternative ...
... effect of difference. A specific discourse is always embattled, forever defending the limits of what is admissible, legitimate or intelligible. attempting to arrest the play of meaning as it slides towards plurality. Alternative ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance classic realism Cleopatra commonwealth confined conflict death defined definition Devil difference difficulty discourse discursive knowledge divorce Dod and Cleaver drama effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction figure final finally find first freedom God’s Griselda Hamlet heaven hell hero Hieronimo humanist husband ibid identifies implies instance justice king liberal humanism Mankind Mariam marriage marry meaning monarch moral murder narrative nature obedience offers patriarchal play political present reflection Renaissance revenge revenge plays romantic love Sejanus sense seventeenth century sexuality signified signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak specific spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria wife woman women worldly