The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
Részletek a könyvből
1 - 5 találat összesen 32 találatból.
ix. oldal
... figure in the drama which is liberal humanism, the consensual orthodoxy 0f the west. The subject is to be found at the heart of our political institutions, the economic system and the family, voting, exercising rights, working ...
... figure in the drama which is liberal humanism, the consensual orthodoxy 0f the west. The subject is to be found at the heart of our political institutions, the economic system and the family, voting, exercising rights, working ...
13. oldal
... figures dispersed across the circular stage represent both his human characteristics and the rival forces in the cosmic struggle of which he is the momentary location. Mankind is never wholly sure whether he belongs on earth or ...
... figures dispersed across the circular stage represent both his human characteristics and the rival forces in the cosmic struggle of which he is the momentary location. Mankind is never wholly sure whether he belongs on earth or ...
14. oldal
... figure of man is threatened by the return of the repressed — language, of which he is no more than an effect. Should the reassertion of language, which currently offers to dislodge the certainties of humanist consciousness, succeed ...
... figure of man is threatened by the return of the repressed — language, of which he is no more than an effect. Should the reassertion of language, which currently offers to dislodge the certainties of humanist consciousness, succeed ...
15. oldal
... figures who tower above him on their scaffolds or discuss him in the third person. His assent is the stake in a ... figure. His being is dispersed across a battlefield in which his conflicting faculties struggle to possess him, to ...
... figures who tower above him on their scaffolds or discuss him in the third person. His assent is the stake in a ... figure. His being is dispersed across a battlefield in which his conflicting faculties struggle to possess him, to ...
16. oldal
... their protagonists as bewildered, gullible victims of a war in which they must participate but which they do not in any sense initiate. Man — since all the central figures are masculine — is thus a transitory 16 The Subject of Tragedy.
... their protagonists as bewildered, gullible victims of a war in which they must participate but which they do not in any sense initiate. Man — since all the central figures are masculine — is thus a transitory 16 The Subject of Tragedy.
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance classic realism Cleopatra commonwealth confined conflict death defined definition Devil difference difficulty discourse discursive knowledge divorce Dod and Cleaver drama effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction figure final finally find first freedom God’s Griselda Hamlet heaven hell hero Hieronimo humanist husband ibid identifies implies instance justice king liberal humanism Mankind Mariam marriage marry meaning monarch moral murder narrative nature obedience offers patriarchal play political present reflection Renaissance revenge revenge plays romantic love Sejanus sense seventeenth century sexuality signified signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak specific spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria wife woman women worldly