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difference is, that he is a superintendent of morality. Even in his externals, except for occasional bands and the perpetual white tie, he is like you at first sight, you would take him for a professor, a magistrate, or a notary; and his sermons agree with his person. He does not anathematise the world; in this his doctrine is modern; he follows the broad path in which the Renaissance and the Reformation have impelled religion. When Christianity arose, eighteen centuries ago, it was in the East, in the land of the Essenes and Therapeutists, amid universal decay and despair, when the only deliverance seemed a renunciation of the world, an abandonment of civil life, destruction of the natural instincts, and a daily waiting for the kingdom of God. When it rose again, three centuries ago, it was in the West, amongst laborious and half-free peoples, amidst universal restoration and invention, when man, improving his condition, regained confidence in his worldly destiny, and widely expanded his faculties. No wonder if the new Protestantism differs from the ancient Christianity, if it enjoins action instead of preaching asceticism, if it authorises comforts in place of prescribing mortification, if it honours marriage, work, patriotism, inquiry, science, all natural affections and faculties, in place of praising celibacy, retreat, scorn of the age, ecstasy, captivity of mind, and mutilation of the heart. By this infusion of the modern spirit, Christianity has received new blood, and Protestantism now constitutes, with science, the two motive organs, and, as it were, the double heart of European life. For, in accepting the rehabilitation of the world, it has not renounced the purification of man's heart; on the contrary, it is towards this that it has directed its whole effort. It has cut off from religion all the portions which are not this very purification, and, by reducing it, has strengthened it. An institution, like a machine, and like a man, is the more powerful for being more special: a work is done better because it is done singly, and because we concentrate ourselves upon it. By the suppression of legends and religious practices, human thought in its entirety has been concentrated on a single object-moral amelioration. It is of this men speak in the churches, gravely and coldly, with a succession of sensible and solid arguments; how a man ought to reflect on his duties, mark them one by one in his mind, make for himself principles, have a sort of inner code, freely accepted and firmly established, to which he may refer all his actions without bias or hesitation; how these principles may be rooted by practice; how unceasing examination, personal effort, the continual edification of himself by himself, ought slowly to confirm our resolution in uprightness. These are the questions which, with a multitude of examples, proofs, appeals to daily experience,' are brought forward in all the pulpits, to develop in man a voluntary reformation, a guard and empire over himself, the habit of self-restraint, and a kind of modern

Let the reader, amongst many others, peruse the sermons of Dr. Arnold, delivered in the School Chapel at Rugby.

stoicism, almost as noble as the ancient. On all hands laymen help in this; and moral warning, given by literature as well as by theology, unites in harmony, society, and the clergy. Hardly ever does a book paint a man in a disinterested manner: critics, philosophers, historians, novelists, poets even, give a lesson, maintain a theory, unmask or punish a vice, represent a temptation overcome, relate the history of a character becoming formed. Their exact and minute description of sentiments ends always in approbation or blame; they are not artists, but moralists: it is only in a Protestant country that you will find a novel entirely occupied in describing the progress of moral sentiment in a child of twelve.1 All co-operate in this direction in religion, and even in the mystic part of it. Byzantine distinctions and subtleties have been allowed to fall away; Germanic curiosities and speculations have not been introduced; the God of conscience reigns alone; feminine sweetness has been cut off; we do not find the husband of souls, the lovable consoler, whom the Imitation of Jesus Christ follows even in his tender dreams; something manly breathes from religion in England; we find that the Old Testament, the severe Hebrew Psalms, have left their imprint here. It is no longer an intimate friend to whom a man confides his petty desires, his small troubles, a sort of affectionate and quite human priestly guide; it is no longer a king whose relations and courtiers he tries to gain over, and from whom he looks for favours or places; we see in him only a guardian of duty, and we speak to him of nothing else. What we ask of him is the strength to be virtuous, the inner renewal by which we become capable of always doing good; and such a prayer is in itself a sufficient lever to tear a man from his weaknesses. What we know of the Deity is that he is perfectly just; and such a reliance suffices to represent all the events of life as an approach to the reign of justice. Strictly speaking, justice alone exists; the world is a figure which conceals it, but heart and conscience sustain it, and there is nothing important or true in man but the embrace by which he holds it. So speak the old grave prayers, the severe hymns which are sung in the church, accompanied by the organ. Though a Frenchman, and brought up in a different religion, I heard them with sincere admiration and emotion. Serious and grand poems, which, opening a path to the Infinite, let a ray of light into the limitless darkness, and satisfy the deep poetic instincts, the vague desire of sublimity and melancholy, which this race has manifested from its origin, and which it has preserved to the end.

V.

At the basis of the present as of the past ever reappears an inner and persistent cause, the character of the race; transmission and climate have maintained it; a violent perturbation—the Norman Conquest—

The Wide, Wide World, by Elizabeth Wetherell (an American book). See also the novels of Miss Yonge, and, above all, those of George Eliot.

warped it; finally, after various oscillations, it was manifested by the conception of a special ideal, which gradually fashioned or produced religion, literature, institutions. Thus fixed and expressed, it was thenceforth the mover of the rest; it explains the present, on it depends the future; its force and direction will produce the present and future civilisation. Now that great historic violences-I mean the destructions and enslavements of peoples-have become almost impracticable, each nation can develop its life according to its own conception of life; the chances of a war, a discovery, have no hold but on details; national inclinations and aptitudes alone now draw the great features of a national history; when twenty-five million men conceive the good and useful after a certain type, they will seek and end by attaining this kind of the good and useful. The Englishman has henceforth his priest, his gentleman, his manufacture, his comfort, and his novel. If you wish to seek in what sense this work will alter, you must seek in what sense the central conception will alter. A vast revolution has taken place during the last three centuries in human intelligence,-like those regular and vast uprisings which, displacing a continent, displace all the prospects. We know that positive discoveries go on increasing day by day, that they will increase daily more and more, that from object to object they reach the most lofty, that they begin by renewing the science of man, that their useful application and their philosophical consequences are ceaselessly unfolded; in short, that their universal encroachment will at last comprise the whole human mind. From this body of invading truths springs in addition an original conception of the good and the useful, and, moreover, a new idea of state and church, art and industry, philosophy and religion. This has its power, as the old idea had; it is scientific, if the other was national; it is supported on proved facts, if the other was upon established things. Already their opposition is being manifested; already their results begin; and we may affirm beforehand, that the proximate condition of English civilisation will depend upon their divergence and their agreement.

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THE translator thinks it due to M. Taine to state, that the fifth book, on the Modern Authors, was written whilst Dickens, Thackeray, and Macaulay were still alive. He also gives the original preface of that book:

"This fifth book is the sequel to the History of English Literature; it is written on another plan, because the subject is different. The present period is not yet completed, and the ideas which govern it are in process of formation, that is, in the rough. We cannot therefore as yet systematically arrange them. When documents are still mere indications, history is necessarily reduced to studies; science is moulded on existence; and our conclusions cannot be other than incomplete, so long as the facts which suggest them are unfinished. Fifty years hence the history of this age may be written; in the meantime we can but sketch it. I have selected from contemporary English writers the most original minds, the most consistent, and the most contrasted; they may be regarded as specimens, representing the common features, the opposite tendencies, and consequently the general direction of the public miud.

"They are only specimens. By the side of Macaulay and Carlyle we have historians like Hallam, Buckle, and Grote; by the side of Dickens, novel-writers like Bulwer, Charlotte Bronte, Mrs. Gaskell, George Eliot, and many more; by the side of Tennyson, poets like Elizabeth Browning; by the side of Stuart Mill, philosophers like Hamilton, Bain, and Herbert Spencer. I pass over the vast number of men of talent who write anonymously in reviews, and who, like soldiers in an army, display at times more clearly than their generals the faculties and inclinations of their time and their country. If we look for the common marks in this multitude of varied minds, we shall, I think, find the two salient features which I have already pointed out. One of these features is proper to English civilisation, the other to the civilisation of the nineteenth century. The one is national, the other European. On the one hand, special to this people, their literature is an inquiry instituted into humanity, altogether positive, and consequently only partially beautiful or philosophical, but very exact, minute, useful, and moreover very moral; and this to such a degree, that sometimes the generosity or purity of its aspirations raises it to a height which no artist or philosopher has transcended. On the other hand, in common with the various peoples of our age, this literature subordinates dominant creeds and institutions to private inquiry and established science-I mean, to that irresponsible tribunal which is erected in each man's individual conscience, and to that universal authority which the diverse human judgments, mutually rectified, and controlled by practice, borrow from the verifications of experience, and from their own harmony.

'Whatever be the judgment passed on these tendencies and on these doctrines, we cannot, I think, refuse them the merit of spontaneity and originality. They are living and thriving plants. The six writers, described in this volume, have VOL. II.

Y

expressed efficacious and complete ideas on God, nature, man, science, religion, art, and morality. To produce such ideas we have in Europe at this day but three nations-England, Germany, and France. Those of England will here be found arranged, discussed, and compared with those of the other two thinking countries.'

CHAPTER I.

The Novel-Dickens.

§ 1.-THE AUTHOR.

I. Connection of the different elements of a talent-Importance of the imaginative faculty. II. Lucidity and intensity of imagination in Dickens-Boldness and vehemence of his fancy-How with him inanimate objects are personified and impassioned — Wherein his conception is akin to intuition-How he describes idiots and madmen.

III. The objects to which he directs his enthusiasm-His trivialities and minuteness-Wherein he resembles the painters of his country-Wherein he differs from George Sand-Miss Ruth and Geneviève-A journey in a coach.

IV. Vehemence of the emotions which this kind of imagination must produceHis pathos-Stephen, the factory hand-His humour-Why he attains to buffoonery and caricature-Recklessness and nervous exaggeration of his gaiety.

§ 2. THE PUBLIC.

English novels are compelled to be moral-Wherein this constraint modifies the idea of love-Comparison of love in George Sand and DickensPictures of the young girl and the wife-Wherein this constraint qualifies the idea of passion-Comparison of passions in Balzac and Dickens--Inconvenience of this foregone necessity-How comic or odious masks are substituted for natural characters-Comparison of Pecksniff and Tartuffe -Why unity of action is absent in Dickens.

§ 3. THE CHARACTERS.

I. Two classes of characters-Natural and instinctive characters-Artificial and positive characters-Preference of Dickens for the first- Aversion against the second.

II. The hypocrite - Mr. Pecksniff- Wherein he is English - Comparison of Pecksniff and Tartuffe―The positive man-Mr. Gradgrind-The proud man-Mr. Dombey-Wherein these characters are English.

III. Children-Wanting in French literature-Little Joas and David Copperfield-Men of the lower orders.

IV. The ideal man according to Dickens-Wherein this conception corresponds to a public need-Opposition of culture and nature in England-Reassertion of sense and instinct oppressed by conventionalism and rule-Suc cess of Dickens.

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