Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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1 - 3 találat összesen 68 találatból.
76. oldal
... style subsides into the austerer intellectuality of the final sections , as he de- fines to himself the outlines of the artistic task which is to usurp his maturity . A highly self - conscious use of style and method defines the quality ...
... style subsides into the austerer intellectuality of the final sections , as he de- fines to himself the outlines of the artistic task which is to usurp his maturity . A highly self - conscious use of style and method defines the quality ...
80. oldal
... style , and in story after story , no meaning at all is to be inferred from the fiction except as the style itself suggests that there is no meaning in life . This style , more than that , was the perfect technical substitute for the ...
... style , and in story after story , no meaning at all is to be inferred from the fiction except as the style itself suggests that there is no meaning in life . This style , more than that , was the perfect technical substitute for the ...
98. oldal
... style is conception , and that , for this reason , rhetoric must be con sidered as existing within - importantly within , and , sometimes , fatally within - what we call poetic . It is really style , and style primarily , that first ...
... style is conception , and that , for this reason , rhetoric must be con sidered as existing within - importantly within , and , sometimes , fatally within - what we call poetic . It is really style , and style primarily , that first ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young