Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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1 - 3 találat összesen 77 találatból.
117. oldal
... stands there , the embodiment of a tradition . The crowning triumph of the spirit , in the guise of a matter - of ... stand- ing a little on one side and looking intently at me . The chief mate . His long , red moustache determined ...
... stands there , the embodiment of a tradition . The crowning triumph of the spirit , in the guise of a matter - of ... stand- ing a little on one side and looking intently at me . The chief mate . His long , red moustache determined ...
209. oldal
... stand as correlatives for aspects of his nature is a key to his characterization . Sadie and Sugar - Boy are symbols ... stands for a kind of counter - predatoriness , which is in harmony with the other elements of the Boss's nature as ...
... stand as correlatives for aspects of his nature is a key to his characterization . Sadie and Sugar - Boy are symbols ... stands for a kind of counter - predatoriness , which is in harmony with the other elements of the Boss's nature as ...
497. oldal
... stand still in time and are led to contemplate diverse but contemporaneous events in space or we stand still in space and are allowed to move up and down temporarily in the consciousness of one individual . If it would not be ...
... stand still in time and are led to contemplate diverse but contemporaneous events in space or we stand still in space and are allowed to move up and down temporarily in the consciousness of one individual . If it would not be ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young