Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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1 - 3 találat összesen 38 találatból.
66. oldal
... phrase or sequence of phrases - at most a long paragraph - it carries the evolution of spatial form in the novel forward to a point where it is practically indistinguishable from modern poetry . TECHNIQUE AS DISCOVERY MARK SCHORER * I ...
... phrase or sequence of phrases - at most a long paragraph - it carries the evolution of spatial form in the novel forward to a point where it is practically indistinguishable from modern poetry . TECHNIQUE AS DISCOVERY MARK SCHORER * I ...
111. oldal
... phrase it would still be regrettable as tending to cheapen the tone . But the actual cheapening is little short of ... phrases we pronounced - but what's the good ? They were common everyday words — the familiar vague sounds exchanged on ...
... phrase it would still be regrettable as tending to cheapen the tone . But the actual cheapening is little short of ... phrases we pronounced - but what's the good ? They were common everyday words — the familiar vague sounds exchanged on ...
389. oldal
... phrase is what he craves beyond all things - and comfortable phrases are surely not to be sought in Dreiser's stock . I have heard argument that he is a follower of Frank Norris , and two or three facts lend it a specious probability ...
... phrase is what he craves beyond all things - and comfortable phrases are surely not to be sought in Dreiser's stock . I have heard argument that he is a follower of Frank Norris , and two or three facts lend it a specious probability ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young