Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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70. oldal
... passion , of dark and gigantic emotional and nervous energy , is for the author , or was in the first place , a world of ideal value ; and that the book sets out to persuade us of the moral magnificence of such unmoral passion . We are ...
... passion , of dark and gigantic emotional and nervous energy , is for the author , or was in the first place , a world of ideal value ; and that the book sets out to persuade us of the moral magnificence of such unmoral passion . We are ...
90. oldal
... passion . These soft and fragile things paradoxically endure . [ The passions of animals , if we may speak of them as passions , have meaning in that they are presumably necessary to survival ; Heath- cliff's passion destroys others ...
... passion . These soft and fragile things paradoxically endure . [ The passions of animals , if we may speak of them as passions , have meaning in that they are presumably necessary to survival ; Heath- cliff's passion destroys others ...
312. oldal
... passion . The narrator tries his best to make up , both by reading Vereker's works and by tackling him personally ... passion of the passion ; which was certainly not how the narrator , nor any of his friends , either wrote or read . A ...
... passion . The narrator tries his best to make up , both by reading Vereker's works and by tackling him personally ... passion of the passion ; which was certainly not how the narrator , nor any of his friends , either wrote or read . A ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young