Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
Részletek a könyvből
1 - 3 találat összesen 82 találatból.
207. oldal
... nature , the Boss's story begins with his attempt to separate himself from nature . It is as if he were trying to prove , by exploiting it as it had never been exploited before , that the human in nature will finally react to resist ...
... nature , the Boss's story begins with his attempt to separate himself from nature . It is as if he were trying to prove , by exploiting it as it had never been exploited before , that the human in nature will finally react to resist ...
209. oldal
... nature is a key to his characterization . Sadie and Sugar - Boy are symbols of adjustment to nature in terms of an abstract code . When Sadie informs him of the fraud perpetrated on him by the Harrison outfit , she " made him what he is ...
... nature is a key to his characterization . Sadie and Sugar - Boy are symbols of adjustment to nature in terms of an abstract code . When Sadie informs him of the fraud perpetrated on him by the Harrison outfit , she " made him what he is ...
211. oldal
... natural and un- controllable and the rational and man - controlled , the elements which have gotten out of hand in Sadie's nature . But this is not to say that Sadie Burke is the villainess of the novel any more than that Lucy Stark is ...
... natural and un- controllable and the rational and man - controlled , the elements which have gotten out of hand in Sadie's nature . But this is not to say that Sadie Burke is the villainess of the novel any more than that Lucy Stark is ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
26 további fejezet nem látható
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young