Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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382. oldal
... naturalistic doctrines , his books have to reach a certain level of observation and intensity before they deserve to be called naturalistic . Jack London held the doctrines and wrote fifty books , but only three or four of them reached ...
... naturalistic doctrines , his books have to reach a certain level of observation and intensity before they deserve to be called naturalistic . Jack London held the doctrines and wrote fifty books , but only three or four of them reached ...
383. oldal
... naturalistic works are valuable historical documents , but the authors in general have little sense of history . They present each situ- ation as if it had no historical antecedents , and their characters might be men and women created ...
... naturalistic works are valuable historical documents , but the authors in general have little sense of history . They present each situ- ation as if it had no historical antecedents , and their characters might be men and women created ...
385. oldal
... naturalism involves a still greater literary weakness , for it leads to a conception of man that makes it impossible for naturalistic authors to write in the tragic spirit . They can write about crimes , suicides , disasters , the ...
... naturalism involves a still greater literary weakness , for it leads to a conception of man that makes it impossible for naturalistic authors to write in the tragic spirit . They can write about crimes , suicides , disasters , the ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young