Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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19. oldal
... mind , we do not penetrate ; this is drama , and in drama the spectator must judge by appearances . When Strether's mind is dramatized , nothing is shown but the passing images that anybody might detect , looking down upon a mind grown ...
... mind , we do not penetrate ; this is drama , and in drama the spectator must judge by appearances . When Strether's mind is dramatized , nothing is shown but the passing images that anybody might detect , looking down upon a mind grown ...
264. oldal
... mind . But now at the beginning , and throughout the book , Henry's mind is in a " tumult of agony and despair . " This psychological tumult began when Henry heard the church bell announce the gospel truth that a great battle had been ...
... mind . But now at the beginning , and throughout the book , Henry's mind is in a " tumult of agony and despair . " This psychological tumult began when Henry heard the church bell announce the gospel truth that a great battle had been ...
532. oldal
... mind for some four hundred years . What the mind was likely to discover in this period was by and large much the same thing , yet mind was always active in the enterprise of discovery ; discovery itself was a kind of joy and sometimes a ...
... mind for some four hundred years . What the mind was likely to discover in this period was by and large much the same thing , yet mind was always active in the enterprise of discovery ; discovery itself was a kind of joy and sometimes a ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young