Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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44. oldal
... meaning , can preserve coherent sequence within the unit of meaning and break up only the time - flow of narrative . ( Because of this difference , readers of modern poetry are practically forced to read reflexively to get any literal ...
... meaning , can preserve coherent sequence within the unit of meaning and break up only the time - flow of narrative . ( Because of this difference , readers of modern poetry are practically forced to read reflexively to get any literal ...
259. oldal
... meaning is constantly suggested than is ever actually present . Of moral meaning , indeed , there is singu- larly little . " He cannot understand why so much praise has been lavished upon the sinister atmosphere : " it is ' built up ...
... meaning is constantly suggested than is ever actually present . Of moral meaning , indeed , there is singu- larly little . " He cannot understand why so much praise has been lavished upon the sinister atmosphere : " it is ' built up ...
305. oldal
... meaning of the artist in history , that is in life as he lives it , in the conditions under which he works , is like the meaning of history itself . History , as Niebuhr says , is meaningful , but the meaning is not yet . The history of ...
... meaning of the artist in history , that is in life as he lives it , in the conditions under which he works , is like the meaning of history itself . History , as Niebuhr says , is meaningful , but the meaning is not yet . The history of ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young