Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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1 - 3 találat összesen 81 találatból.
28. oldal
... matter gives him the chance . Again and again I have wished to silence the voice of the spokesman who is supposed to be helping me to a right appreciation of the matter in hand - the author ( or his creature ) who knows so much , and ...
... matter gives him the chance . Again and again I have wished to silence the voice of the spokesman who is supposed to be helping me to a right appreciation of the matter in hand - the author ( or his creature ) who knows so much , and ...
67. oldal
... matter . Modern criticism has shown us that to speak of content as such is not to speak of art at all , but of experience ; and that it is only when we speak of the achieved content , the form , the work of art as a work of art , that ...
... matter . Modern criticism has shown us that to speak of content as such is not to speak of art at all , but of experience ; and that it is only when we speak of the achieved content , the form , the work of art as a work of art , that ...
461. oldal
... matter of fact , was constantly being violated by institutions . Their violation of it is , in fact , a constant source of subject matter and a constant spring of irony . Nevertheless Hardy could refer to himself as a meliorist . He ...
... matter of fact , was constantly being violated by institutions . Their violation of it is , in fact , a constant source of subject matter and a constant spring of irony . Nevertheless Hardy could refer to himself as a meliorist . He ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young