Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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286. oldal
... kind of eulogistic fictional historian of the half dozen years following the first World War when there was such a marked change in American manners . In fact , however , Fitzgerald never simply reported experi- ence ; every one of his ...
... kind of eulogistic fictional historian of the half dozen years following the first World War when there was such a marked change in American manners . In fact , however , Fitzgerald never simply reported experi- ence ; every one of his ...
296. oldal
... kind of notoriety which the East accords success of his kind , he is great about as Barnum was . Out of Gatsby's ignorance of his real greatness and his misunderstanding of his notoriety , Fitzgerald gets much of the book's irony ...
... kind of notoriety which the East accords success of his kind , he is great about as Barnum was . Out of Gatsby's ignorance of his real greatness and his misunderstanding of his notoriety , Fitzgerald gets much of the book's irony ...
472. oldal
... kind of instruction expected of fiction in direct competition , at the same level , with the kind of instruction offered in Political Science I or Eco- nomics II ? If that is the case , then out with Shakespeare and Keats and in with ...
... kind of instruction expected of fiction in direct competition , at the same level , with the kind of instruction offered in Political Science I or Eco- nomics II ? If that is the case , then out with Shakespeare and Keats and in with ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young