Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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1 - 3 találat összesen 54 találatból.
21. oldal
... impression , is always more dramatic in its method than it apparently has the means to be . Here , for instance , is the central scene of the whole story , the scene in the old Parisian garden , where Strether , finally filled to the ...
... impression , is always more dramatic in its method than it apparently has the means to be . Here , for instance , is the central scene of the whole story , the scene in the old Parisian garden , where Strether , finally filled to the ...
22. oldal
... impression of the worn , intelligent , clear - sighted man sitting there in the evening sun , strangely moved to ... impression to the reader . The impression is enacting itself in the endless series of images that play over the ...
... impression of the worn , intelligent , clear - sighted man sitting there in the evening sun , strangely moved to ... impression to the reader . The impression is enacting itself in the endless series of images that play over the ...
23. oldal
... impression received through Strether's intervening conscious- ness , beyond which the story never strays . I conclude that on this paradox the art of dramatizing the picture of somebody's experience touches its limit . There is indeed ...
... impression received through Strether's intervening conscious- ness , beyond which the story never strays . I conclude that on this paradox the art of dramatizing the picture of somebody's experience touches its limit . There is indeed ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young