Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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30. oldal
... force . But a tour de force it is , when a novelist seeks to render the general life of his story in the particular action , and in the action alone ; for his power to support the drama pictorially is always there , if he likes to make ...
... force . But a tour de force it is , when a novelist seeks to render the general life of his story in the particular action , and in the action alone ; for his power to support the drama pictorially is always there , if he likes to make ...
370. oldal
... FORCE only existed - FORCE that brought men into the world , FORCE that made the wheat grow , FORCE that garnered it from the soil to give place to the succeeding crop . " But Norris , like several other naturalists , was able to ...
... FORCE only existed - FORCE that brought men into the world , FORCE that made the wheat grow , FORCE that garnered it from the soil to give place to the succeeding crop . " But Norris , like several other naturalists , was able to ...
373. oldal
... force behind human events was always biology- " I mean , " says his autobiographical hero , Martin Eden , " the real interpretative biology , from the ground up , from the laboratory and the test tube and the vital- ized inorganic right ...
... force behind human events was always biology- " I mean , " says his autobiographical hero , Martin Eden , " the real interpretative biology , from the ground up , from the laboratory and the test tube and the vital- ized inorganic right ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young