Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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227. oldal
... Experience and the Personal Element , " " Naturalism , " " Myth , " " Vision and Sensibility , " " Fantasy , " and " The Novel in Our Time . " It may be objected that the term " mode " is not a proper designation for all of these ...
... Experience and the Personal Element , " " Naturalism , " " Myth , " " Vision and Sensibility , " " Fantasy , " and " The Novel in Our Time . " It may be objected that the term " mode " is not a proper designation for all of these ...
240. oldal
... experience appeared more meaningful than its private aspects , and literature responded accordingly . But the subject of political art is history , which stands in the same relation to experience as fiction to biography ; and just as ...
... experience appeared more meaningful than its private aspects , and literature responded accordingly . But the subject of political art is history , which stands in the same relation to experience as fiction to biography ; and just as ...
247. oldal
... experience , but it is personal experience transformed into an impersonal and symbolic representation of life : the plight of man tossed upon an indifferent sea . Crane transcribed it all from his experi- ence , but he converted every ...
... experience , but it is personal experience transformed into an impersonal and symbolic representation of life : the plight of man tossed upon an indifferent sea . Crane transcribed it all from his experi- ence , but he converted every ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young