Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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1 - 3 találat összesen 84 találatból.
207. oldal
... death of the Boss the knowledge he has tried to live by is reaffirmed ; Willie real- izes that what has killed him is his own failure to believe in the knowl- edge of his earlier revelation . So the Boss's story ends with a revelation ...
... death of the Boss the knowledge he has tried to live by is reaffirmed ; Willie real- izes that what has killed him is his own failure to believe in the knowl- edge of his earlier revelation . So the Boss's story ends with a revelation ...
261. oldal
... death of the oiler symbolizes the treachery and indifference of nature , and it is through his death that this truth becomes revealed to them . At the end when they hear " the great sea's voice , " they now understand what it says ...
... death of the oiler symbolizes the treachery and indifference of nature , and it is through his death that this truth becomes revealed to them . At the end when they hear " the great sea's voice , " they now understand what it says ...
268. oldal
... death of Jim Conklin , the friend whom Henry had known since childhood . He goes under various names . He is sometimes called the spectral soldier ( his face is a pasty gray ) and sometimes the tall soldier ( he is taller than all other ...
... death of Jim Conklin , the friend whom Henry had known since childhood . He goes under various names . He is sometimes called the spectral soldier ( his face is a pasty gray ) and sometimes the tall soldier ( he is taller than all other ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young