Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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. oldal
... criticism , the best have here found representation . In selecting the contents and determining their arrangement , I have tried , in so far as possible , to anticipate the needs of the typical course in the criticism or survey of ...
... criticism , the best have here found representation . In selecting the contents and determining their arrangement , I have tried , in so far as possible , to anticipate the needs of the typical course in the criticism or survey of ...
xii. oldal
... criticism of the increased superego . The modern criticism of the novel begins in the modern novel , in the works of Flaubert , James , Conrad , among others , and in their utterances , especially James's , about their works . Would we ...
... criticism of the increased superego . The modern criticism of the novel begins in the modern novel , in the works of Flaubert , James , Conrad , among others , and in their utterances , especially James's , about their works . Would we ...
xiv. oldal
... criticism of the novel can hardly be expected to . How , then , shall we describe it , this body of criticism not more than about thirty years old , and so generously repre- sented in this volume ? Can we describe it at all , if one ...
... criticism of the novel can hardly be expected to . How , then , shall we describe it , this body of criticism not more than about thirty years old , and so generously repre- sented in this volume ? Can we describe it at all , if one ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
Copyright | |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young