Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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1 - 3 találat összesen 54 találatból.
137. oldal
... beginning of the book precisely as the soliloquies of Molly and Anna Livia are balanced by the impersonal narrative beginnings of Ulysses and Finnegans Wake . In a reversal of the progression in Stephen's theory ( which actually ...
... beginning of the book precisely as the soliloquies of Molly and Anna Livia are balanced by the impersonal narrative beginnings of Ulysses and Finnegans Wake . In a reversal of the progression in Stephen's theory ( which actually ...
490. oldal
... beginning of consciousness to the end . Is it not the task of the novelist to convey this varying , this unknown and uncircumscribed spirit , what- ever aberration or complexity it may display , with as little mixture of the alien and ...
... beginning of consciousness to the end . Is it not the task of the novelist to convey this varying , this unknown and uncircumscribed spirit , what- ever aberration or complexity it may display , with as little mixture of the alien and ...
542. oldal
... beginning of the end of love ; the overvaluation of art is the beginning of the end of art . What I have called the roughness of grain of the novel , and praised as such , corresponds with something in the nature of the novelists them ...
... beginning of the end of love ; the overvaluation of art is the beginning of the end of art . What I have called the roughness of grain of the novel , and praised as such , corresponds with something in the nature of the novelists them ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young