Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British CriticsJohn W. Aldridge Ronald Press Company, 1952 - 610 oldal |
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1 - 3 találat összesen 22 találatból.
67. oldal
... beauty and truth are indivisible and one . The Keatsian overtones of these terms are mitigated and an old dilemma is solved if for beauty we substitute form , and for truth , content . We may , without risk of loss , narrow them even ...
... beauty and truth are indivisible and one . The Keatsian overtones of these terms are mitigated and an old dilemma is solved if for beauty we substitute form , and for truth , content . We may , without risk of loss , narrow them even ...
457. oldal
... beauty of the physical world is a background for the human predica- ment , and the very relishing of the beauty is merely a kind of desperate and momentary compensation possible in the midst of the predicament . " This careful relishing ...
... beauty of the physical world is a background for the human predica- ment , and the very relishing of the beauty is merely a kind of desperate and momentary compensation possible in the midst of the predicament . " This careful relishing ...
511. oldal
... beauty , and goes forth to picture the whole ... in the hues of heaven . " Also Lorenzo , fearing death more than anything , and yet managing to escape it by “ . . . turning half - beast and half - divine , dividing himself like a Cen ...
... beauty , and goes forth to picture the whole ... in the hues of heaven . " Also Lorenzo , fearing death more than anything , and yet managing to escape it by “ . . . turning half - beast and half - divine , dividing himself like a Cen ...
Tartalomjegyzék
Introductory Comment | 3 |
PERCY LUBBOCK The Strategy of Point of View | 9 |
ALLEN TATE Techniques of Fiction | 31 |
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achieve action Allen Tate American appears artist Badge of Courage become Boss's characters Conrad consciousness Crane criticism D. H. Lawrence Dalloway death dramatic dream Dreiser E. M. Forster Earwicker Emily Brontë emotion essay experience fact Farewell to Arms Faulkner feeling Finnegans Wake Fitzgerald Flaubert Hemingway Hemingway's Henry James hero human ideal ideas imagination irony Jack John Peale Bishop Joyce Joyce's kind Lawrence literary literature lives look meaning metaphors method mind Miss Welty's Modern Fiction moral narrative narrator naturalistic nature never Nora novel novelist passion Passos perhaps poetry point of view present prose reader reality Red Badge Robin scene seems sense sensibility social spirit Stephen Stephen Crane story Strether's style symbolic T. S. Eliot technique theme thing thought tion truth Ulysses Univ values Virginia Woolf vision whole William Faulkner Woolf words writing young