Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 80. kötetGale Research Company, 1984 |
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36. oldal
... represented as neither or both male and female " ( Symbols , p . 98 ) . Consider Rosalind playing Ganymede playing Rosalind . Liminality negates variations in rank and degree ; within a group of neophytes , all are equal . In the forest ...
... represented as neither or both male and female " ( Symbols , p . 98 ) . Consider Rosalind playing Ganymede playing Rosalind . Liminality negates variations in rank and degree ; within a group of neophytes , all are equal . In the forest ...
66. oldal
... represents what cannot be represented by giving it an artificial form seemingly at odds with the movement of dramatic plot yet mysteri- ously capable of moving it forward , not directly , as the scenes between Rosalind and Orlando do ...
... represents what cannot be represented by giving it an artificial form seemingly at odds with the movement of dramatic plot yet mysteri- ously capable of moving it forward , not directly , as the scenes between Rosalind and Orlando do ...
344. oldal
... represented by an actor in blackface . Heterosexual desire is staged here as an absurdly mutual attraction between a ... represents the bridegroom ) , the transvestite ( who represents the bride ) , and the " scourge of marriage ...
... represented by an actor in blackface . Heterosexual desire is staged here as an absurdly mutual attraction between a ... represents the bridegroom ) , the transvestite ( who represents the bride ) , and the " scourge of marriage ...
Tartalomjegyzék
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Copyright | |
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