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134. oldal
94 The Elizabethan preoccupation with history was , as Phyllis Rackin describes it , a matter of urgent national interest , regarded both as a means of preserving peace and political stability and as a matter of national selfdefinition ...
94 The Elizabethan preoccupation with history was , as Phyllis Rackin describes it , a matter of urgent national interest , regarded both as a means of preserving peace and political stability and as a matter of national selfdefinition ...
271. oldal
All three plays parallel or recall specific political situations , and all implicitly ask how - to use Novy's terms — patriarchy and mutuality can be compromised when political fortunes are at stake . ” In Love's Labour's Lost ...
All three plays parallel or recall specific political situations , and all implicitly ask how - to use Novy's terms — patriarchy and mutuality can be compromised when political fortunes are at stake . ” In Love's Labour's Lost ...
275. oldal
The play is very slippery as it negotiates between pastoral comedy and courtly politics . ... For Montrose , the reason the “ significant ( political ] issues seem to evaporate as the play unfolds .. is surely not that Shakespeare's ...
The play is very slippery as it negotiates between pastoral comedy and courtly politics . ... For Montrose , the reason the “ significant ( political ] issues seem to evaporate as the play unfolds .. is surely not that Shakespeare's ...
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As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Copyright | |
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action appears audience becomes begins called character comedy comic course critics death deed desire drama Duke Duncan effect Elizabethan English essay example fact Falstaff father fear figure final force future give Hal's Hamlet hand Henry Henry IV human husband imagination important Jaques John kind king Lady language later less lines live London look Macbeth male marriage marry means Measure mind misogyny moral mother murder nature never offers Orlando Othello performance perhaps person play political possibility present Press Prince production provides question reference relationship Renaissance represented response Richard role Rosalind says scene seems sense sexual Shake Shakespeare social speak speech stage Studies suggests things thou tion tragedy true turn University wife witches woman women York young