Részletek a könyvből
1 - 3 találat összesen 69 találatból.
212. oldal
The uncanny effect of people merging and metamorphosing into each other culminated in the apparitions of the cauldron scene , where the person whose lips were moving was usually not the person actually voicing the words .
The uncanny effect of people merging and metamorphosing into each other culminated in the apparitions of the cauldron scene , where the person whose lips were moving was usually not the person actually voicing the words .
307. oldal
The fantasy of escape from sexuality is most violently expressed and punished in the person of Angelo ; the explosive rigidities of his sexual imagination are at the center of the play . These rigidities are embodied in the very ...
The fantasy of escape from sexuality is most violently expressed and punished in the person of Angelo ; the explosive rigidities of his sexual imagination are at the center of the play . These rigidities are embodied in the very ...
311. oldal
In the person of the Duke the play pulls in two directions at once : even while Shakespeare apparently uses him to reconcile the others to their own human nature , he reincarnates a fantasy of escape from that nature , becoming fully an ...
In the person of the Duke the play pulls in two directions at once : even while Shakespeare apparently uses him to reconcile the others to their own human nature , he reincarnates a fantasy of escape from that nature , becoming fully an ...
Mit mondanak mások - Írjon ismertetőt
Nem találtunk ismertetőket a szokott helyeken.
Tartalomjegyzék
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Copyright | |
16 további fejezet nem látható
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
action appears audience becomes begins called character comedy comic course critics death deed desire drama Duke Duncan effect Elizabethan English essay example fact Falstaff father fear figure final force future give Hal's Hamlet hand Henry Henry IV human husband imagination important Jaques John kind king Lady language later less lines live London look Macbeth male marriage marry means Measure mind misogyny moral mother murder nature never offers Orlando Othello performance perhaps person play political possibility present Press Prince production provides question reference relationship Renaissance represented response Richard role Rosalind says scene seems sense sexual Shake Shakespeare social speak speech stage Studies suggests things thou tion tragedy true turn University wife witches woman women York young