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106. oldal
Hal here asserts and imposes the boundary between knowing and not knowing ( perhaps between caring and not caring about ) the time of day , but the terms through which Hal suggests Falstaff's indifference to time give the boundary ...
Hal here asserts and imposes the boundary between knowing and not knowing ( perhaps between caring and not caring about ) the time of day , but the terms through which Hal suggests Falstaff's indifference to time give the boundary ...
208. oldal
Modernism's idealistic conception of the audience and its occlusion of the psychology of viewing — the perhaps overwhelming need for harmony , what we really like in mimesis - doomed Ukrainian modernist productions to a specialized or ...
Modernism's idealistic conception of the audience and its occlusion of the psychology of viewing — the perhaps overwhelming need for harmony , what we really like in mimesis - doomed Ukrainian modernist productions to a specialized or ...
236. oldal
... or as Macbeth puts it , “ what seem'd corporal , melted as breath into the wind ” ; 79-82 ) . Are they alive ? Are they rational ( " aught that man may question , " and they speak in reply , perhaps explaining themselves ) ?
... or as Macbeth puts it , “ what seem'd corporal , melted as breath into the wind ” ; 79-82 ) . Are they alive ? Are they rational ( " aught that man may question , " and they speak in reply , perhaps explaining themselves ) ?
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As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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action appears audience becomes begins called character comedy comic course critics death deed desire drama Duke Duncan effect Elizabethan English essay example fact Falstaff father fear figure final force future give Hal's Hamlet hand Henry Henry IV human husband imagination important Jaques John kind king Lady language later less lines live London look Macbeth male marriage marry means Measure mind misogyny moral mother murder nature never offers Orlando Othello performance perhaps person play political possibility present Press Prince production provides question reference relationship Renaissance represented response Richard role Rosalind says scene seems sense sexual Shake Shakespeare social speak speech stage Studies suggests things thou tion tragedy true turn University wife witches woman women York young