Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 80. kötetGale Research Company, 1984 |
Részletek a könyvből
1 - 3 találat összesen 92 találatból.
34. oldal
... drama from ritual makes a good story , whether one of civilization's triumphing over primitive irrationality or one of drama's energies arising from its origins in primitive vitality . Perhaps sheer nar- rative charm keeps such notions ...
... drama from ritual makes a good story , whether one of civilization's triumphing over primitive irrationality or one of drama's energies arising from its origins in primitive vitality . Perhaps sheer nar- rative charm keeps such notions ...
35. oldal
... drama as a human pos- sibility . If a ritual imitates an originating drama , it must be less " real " than that drama , a step further removed from whatever reality may be . ( Turner , in fact , draws upon his understanding of drama to ...
... drama as a human pos- sibility . If a ritual imitates an originating drama , it must be less " real " than that drama , a step further removed from whatever reality may be . ( Turner , in fact , draws upon his understanding of drama to ...
157. oldal
... drama's title figure , a skilled warrior whose battlefield virtues contrast with his unchecked ambition , moral blindness , propensity to violence , and tyrannical nature once he ascends to the Scottish throne . Plagued by obsessive ...
... drama's title figure , a skilled warrior whose battlefield virtues contrast with his unchecked ambition , moral blindness , propensity to violence , and tyrannical nature once he ascends to the Scottish throne . Plagued by obsessive ...
Tartalomjegyzék
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Copyright | |
16 további fejezet nem látható
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words