Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 80. kötetGale Research Company, 1984 |
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180. oldal
... deed ' , are words stirred into vivid life by an imagina- tion dwelling profoundly on the fatal business of ' bloody execution ' , or indeed any kind of execution . They carry the play's cogent exploration of what it is to be a separate ...
... deed ' , are words stirred into vivid life by an imagina- tion dwelling profoundly on the fatal business of ' bloody execution ' , or indeed any kind of execution . They carry the play's cogent exploration of what it is to be a separate ...
181. oldal
... DEED ' As Act II opens , the incantations stop while Banquo evokes the magically profound ' pleasure ' and ' content ' of Duncan's soul , but after this beautiful linguistic interlude the phantom dagger appears . It lures on the ' heat ...
... DEED ' As Act II opens , the incantations stop while Banquo evokes the magically profound ' pleasure ' and ' content ' of Duncan's soul , but after this beautiful linguistic interlude the phantom dagger appears . It lures on the ' heat ...
182. oldal
... deed ' . ACT IV : ' A DEED WITHOUT A NAME ' To make himself less ' young in deed ' in Act IV he returns to the witches , who were the original inspiration for the impluse to do . As he sets foot in their den he cries out with the verb ...
... deed ' . ACT IV : ' A DEED WITHOUT A NAME ' To make himself less ' young in deed ' in Act IV he returns to the witches , who were the original inspiration for the impluse to do . As he sets foot in their den he cries out with the verb ...
Tartalomjegyzék
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Copyright | |
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