Részletek a könyvből
1 - 3 találat összesen 83 találatból.
130. oldal
And if we live , we live to tread on kings ; If die , brave death , when princes die with us ! ( 1 Henry IV , V. ii . 81-86 ) single - minded in his loyalties . As a consequence , we are slightly repelled by the coldly utilitarian ...
And if we live , we live to tread on kings ; If die , brave death , when princes die with us ! ( 1 Henry IV , V. ii . 81-86 ) single - minded in his loyalties . As a consequence , we are slightly repelled by the coldly utilitarian ...
340. oldal
Van Veen's motto is “ Loue after death , ” while his subscriptio or verse assures us that imitation of the dying elm which still supports the vine : “ I'll die / For thee , O Imogen , even for whom my life / Is , every breath , a death ...
Van Veen's motto is “ Loue after death , ” while his subscriptio or verse assures us that imitation of the dying elm which still supports the vine : “ I'll die / For thee , O Imogen , even for whom my life / Is , every breath , a death ...
361. oldal
Leading the living to lie in tombs , sons to die before their fathers , and Romeo to figure death as birth ( V.1.62-5 ) , their marriage consistently generates inversion ( Lynda Boose argues that the whole of the latter half of the play ...
Leading the living to lie in tombs , sons to die before their fathers , and Romeo to figure death as birth ( V.1.62-5 ) , their marriage consistently generates inversion ( Lynda Boose argues that the whole of the latter half of the play ...
Mit mondanak mások - Írjon ismertetőt
Nem találtunk ismertetőket a szokott helyeken.
Tartalomjegyzék
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Copyright | |
16 további fejezet nem látható
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
action appears audience becomes begins called character comedy comic course critics death deed desire drama Duke Duncan effect Elizabethan English essay example fact Falstaff father fear figure final force future give Hal's Hamlet hand Henry Henry IV human husband imagination important Jaques John kind king Lady language later less lines live London look Macbeth male marriage marry means Measure mind misogyny moral mother murder nature never offers Orlando Othello performance perhaps person play political possibility present Press Prince production provides question reference relationship Renaissance represented response Richard role Rosalind says scene seems sense sexual Shake Shakespeare social speak speech stage Studies suggests things thou tion tragedy true turn University wife witches woman women York young