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19. oldal
The scene between Silvius and Phoebe , which follows next , precedes in turn the second and principal encounter between Rosalind and Orlando . The principle of juxtaposition is important , of course , throughout As You Like It . " Once ...
The scene between Silvius and Phoebe , which follows next , precedes in turn the second and principal encounter between Rosalind and Orlando . The principle of juxtaposition is important , of course , throughout As You Like It . " Once ...
24. oldal
More to the point , it is based upon the mistaken assumption that Rosalind's character is static . The fact that Rosalind links her new melancholy for Orlando with that for her father , as we have seen , suggests another dimension that ...
More to the point , it is based upon the mistaken assumption that Rosalind's character is static . The fact that Rosalind links her new melancholy for Orlando with that for her father , as we have seen , suggests another dimension that ...
57. oldal
The warrant for such " doubling " of the witty Rosalind and the melancholy Jaques can be seen in Cynthia Marshall's “ The Doubled Jaques . ” Marshall sees in Rosalind's disguise a simultaneous gain and loss of " self " : " The disguised ...
The warrant for such " doubling " of the witty Rosalind and the melancholy Jaques can be seen in Cynthia Marshall's “ The Doubled Jaques . ” Marshall sees in Rosalind's disguise a simultaneous gain and loss of " self " : " The disguised ...
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As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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