Shakespeare 400: Essays by American Scholars on the Anniversary of the Poet's BirthJames Gilmer McManaway Holt, Rinehart and Winston, 1964 - 323 oldal |
Részletek a könyvből
1 - 3 találat összesen 60 találatból.
9. oldal
... kind of play , but two , very im- perfectly soldered together . We can even pinpoint the line where the fracture is so obvious that it cannot be ignored . After Claudio's , " O hear me , Isabella ” ( III . i . 151 ) all the major ...
... kind of play , but two , very im- perfectly soldered together . We can even pinpoint the line where the fracture is so obvious that it cannot be ignored . After Claudio's , " O hear me , Isabella ” ( III . i . 151 ) all the major ...
97. oldal
... kind of personality - of the man who can look at himself , who at first has to fight off the inclination to do so , who succeeds for practical purposes in not doing so , and eventually fights instead of doing so . Macbeth has got far ...
... kind of personality - of the man who can look at himself , who at first has to fight off the inclination to do so , who succeeds for practical purposes in not doing so , and eventually fights instead of doing so . Macbeth has got far ...
268. oldal
... kind of knowing that can withstand for too long the agile antics of a “ think- ing " Iago ; nor , more important , is it the kind of trustworty knowledge that can avert mental chaos when one is exposed to new evidence about self and ...
... kind of knowing that can withstand for too long the agile antics of a “ think- ing " Iago ; nor , more important , is it the kind of trustworty knowledge that can avert mental chaos when one is exposed to new evidence about self and ...
Tartalomjegyzék
James G McManaway Preface v | 17 |
John F Fleming A Book from Shakespeares Library | 25 |
Irving Ribner Marlowe and Shakespeare | 41 |
Copyright | |
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Gyakori szavak és kifejezések
action Antony appears asks audience become beginning better Caesar called cause character civil Claudius Cleopatra comedy comic concern course critics death drama Dream edition effect Elizabethan example eyes fact father feeling final fool gives Hamlet hand human idea imagination important John Juliet kind King knowledge later Lear leave less Library lines live London look lord madness means Measure mind moral nature never night Ophelia original Othello performance perhaps play plot possible present Professor Queen reason Richard Roberts Romeo scene seems sense Shakespeare society soul speaks speech stage Studies suggest tells theater thee things thou thought Titus tragedy tragic Troilus true truth turn University whole