Shakespeare 400: Essays by American Scholars on the Anniversary of the Poet's BirthJames Gilmer McManaway Holt, Rinehart and Winston, 1964 - 323 oldal |
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300. oldal
... Cleopatra " so construed the episode " as to convert our humiliation into approval " . In Furness ' terms , Stahr showed from Plutarch that Cleopatra's " low , unqueenly dishonesty " and " opprobrious epithets " were merely pretended ...
... Cleopatra " so construed the episode " as to convert our humiliation into approval " . In Furness ' terms , Stahr showed from Plutarch that Cleopatra's " low , unqueenly dishonesty " and " opprobrious epithets " were merely pretended ...
301. oldal
... Cleopatra , ordinary spectators or readers ( unless they happen to know Plutarch ) will not sense Cleopatra's duping of Caesar until the encounter ends . The more alert might catch it earlier from her contrived and disarming pleas which ...
... Cleopatra , ordinary spectators or readers ( unless they happen to know Plutarch ) will not sense Cleopatra's duping of Caesar until the encounter ends . The more alert might catch it earlier from her contrived and disarming pleas which ...
306. oldal
... Cleopatra of whim and contradiction who can hold the stage as a new Cleopatra is suddenly revealed . And each time the process is more telling . Preparatory scenes thus set a pattern which is repeated with great effect in the Seleucus ...
... Cleopatra of whim and contradiction who can hold the stage as a new Cleopatra is suddenly revealed . And each time the process is more telling . Preparatory scenes thus set a pattern which is repeated with great effect in the Seleucus ...
Tartalomjegyzék
James G McManaway Preface v | 17 |
John F Fleming A Book from Shakespeares Library | 25 |
Irving Ribner Marlowe and Shakespeare | 41 |
Copyright | |
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Gyakori szavak és kifejezések
action Antony appears asks audience become beginning better Caesar called cause character civil Claudius Cleopatra comedy comic concern course critics death drama Dream edition effect Elizabethan example eyes fact father feeling final fool gives Hamlet hand human idea imagination important John Juliet kind King knowledge later Lear leave less Library lines live London look lord madness means Measure mind moral nature never night Ophelia original Othello performance perhaps play plot possible present Professor Queen reason Richard Roberts Romeo scene seems sense Shakespeare society soul speaks speech stage Studies suggest tells theater thee things thou thought Titus tragedy tragic Troilus true truth turn University whole