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assent to their opinion who assert that his principal exertions must be made to engage the attention of his Readers; and further, I must allow that the effect of Poetry should be to lift the mind from the painful realities of actual existence, from its everyday concerns, and its perpetually-occurring vexations, and to give it repose by substituting objects in their place which it may contemplate with some degree of interest and satisfaction: but what is there in all this, which may not be effected by a fair representation of existing character? nay, by a faithful delineation of those painful realities, those every-day concerns, and those perpetually-occurring vexations themselves, provided they be not (which is hardly to be supposed) the very concerns and distresses of the Reader? for when it is admitted that they have no particular relation to him, but are the troubles and anxieties of other men, they excite and interest his feelings as the imaginary exploits, adventures, and perils of romance ;-they soothe his mind, and keep his curiosity pleasantly awake; they appear to have enough of reality to engage his sympathy, but possess not interest sufficient to create painful sensations. Fiction itself, we know, and every work of fancy, must for a time

have the effect of realities; nay, the very enchanters, spirits, and monsters of Ariosto and Spencer must be present in the mind of the Reader while he is engaged by their operations, or they would be as the objects and incidents of a Nursery Tale to a rational understanding, altogether despised and neglected: in truth, I can but consider this pleasant effect upon the mind of a Reader, as depending neither upon the events related (whether they be actual or imaginary), nor upon the characters introduced (whether taken from life or fancy), but upon the manner in which the Poem itself is conducted; let that be judiciously managed, and the occurrences actually copied from life will have the same happy effect as the inventions of a creative fancy;-while, on the other hand, the imaginary persons and incidents to which the Poet has given a local habitation, and a name,' will make upon the concurring feelings of the Reader, the same impressions with those taken from truth and nature, because they will appear to be derived from that source, and therefore of necessity will have a similar effect.

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Having thus far presumed to claim for the ensuing pages the rank and title of Poetry, I attempt

no more, nor venture to class or compare them with any other kinds of poetical composition; their place will doubtless be found for them.

A principal view and wish of the Poet must be to engage the mind of his Readers, as, failing in that point, he will scarcely succeed in any other: I therefore willingly confess that much of my time and assiduity has been devoted to this purpose; but, to the ambition of pleasing, no other sacrifices have, I trust, been made, than of my own labour and care. Nothing will be found that militates against the rules of propriety and good manners, nothing that offends against the more important precepts of morality and religion; and with this negative kind of merit, I commit my Book to the judgment and taste of the Reader-not being willing to provoke his vigilance by professions of accuracy, nor to solicit his indulgence by apologies for mistakes.

VOL. I.

TALES.

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