Regenerating the Novel: Gender and Genre in Woolf, Forster, Sinclair, and LawrenceRoutledge, 2013. szept. 13. - 192 oldal In this exploration of the most innovative and iconoclastic modernist fiction, James J. Miracky studies the ways in which cultural forces and discourses of gender inflect the practice and theory of four British novelists: Virginia Woolf, E. M. Forster, May Sinclair, and D. H. Lawrence. Building on analyses of gender theory and formal innovation in Virginia Woolf's novels, this book examines Forster's queered use of fantasy, Sinclair's representation of manly genius in both male and female streams of consciousness, and Lawrence's quest for the novel of phallic consciousness. Reading each author's fiction alongside his or her theoretical writing, Miracky provides four diverse examples of how literary modernism wrestled with the gender crisis of the early twentieth century. |
Más kiadások - Összes megtekintése
Regenerating the Novel: Gender and Genre in Woolf, Forster, Sinclair, and ... James J. Miracky Korlátozott előnézet - 2013 |
Regenerating the Novel: Gender and Genre in Woolf, Forster, Sinclair and ... James J. Miracky Korlátozott előnézet - 2003 |
Regenerating the Novel: Gender and Genre in Woolf, Forster, Sinclair, and ... James J. Miracky Nincs elérhető előnézet - 2013 |
Gyakori szavak és kifejezések
androgynous Arnold artistic aspects attempt Birkin Brontës calls career characters Clifford conflict Connie’s creative critics cultural D. H. Lawrence depiction discourse E. M. Forster early Edwardian emotional essays experience fantasy feelings feminine feminist feminized fiction final forces Forster friendship gender and genre gender roles genius Gerald Gino Harriet heterosexual homoerotic homosexual desire Howards End human ideal ideas Lady Chatterley’s Lover Lawrence’s Letters linked literary literature Longest Journey male and female man’s marriage Mary Olivier Mary’s masculine Maurice Maurice’s Mellors misogyny modern modernist mother mystical narration narrative novel novelist Orlando Passage to India passion patriarchal period phallic Phoenix physical plot protagonist psychological Pykett queer realist reality reflects relations relationship represented Rickie Rickie’s romance Room of One’s scene seems sense shift Sinclair social spirit Stephen story struggle style suggests takes theory Thomas Hardy tion tradition triangle union Victorian woman Women in Love Woolf writing Zegger