Shakespeare's Roman WorldsRoutledge, 1989 - 243 oldal Shows how a clear understanding of Shakespeare's explorations of Roman values offers invaluable critical insights into the Roman plays. |
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12. oldal
... opening scenes of the plays . Coriolanus begins in the everyday world of the city , Antony and Cleopa- tra in a lavish imperial court remote from the cares of daily life . . . Whereas Coriolanus begins in an atmosphere of necessity and ...
... opening scenes of the plays . Coriolanus begins in the everyday world of the city , Antony and Cleopa- tra in a lavish imperial court remote from the cares of daily life . . . Whereas Coriolanus begins in an atmosphere of necessity and ...
123. oldal
... opening lines of the play . The sense of being in thrall to Cleopatra is reiterated by Antony , but he is also aware of the contrast between the idleness that characterizes Egypt and the action that informs a Roman view of the world : I ...
... opening lines of the play . The sense of being in thrall to Cleopatra is reiterated by Antony , but he is also aware of the contrast between the idleness that characterizes Egypt and the action that informs a Roman view of the world : I ...
186. oldal
... opening scene is over , the audience has the opportunity of assessing the representatives of the people . Unlike their followers they are neither gullible nor naive . Brutus and Sicinius paint a telling picture of Martius ' behaviour ...
... opening scene is over , the audience has the opportunity of assessing the representatives of the people . Unlike their followers they are neither gullible nor naive . Brutus and Sicinius paint a telling picture of Martius ' behaviour ...
Tartalomjegyzék
IMAGES AND SELFIMAGES IN JULIUS CAESAR | 40 |
REALITIES AND IMAGININGS IN ANTONY AND | 93 |
SOUNDS WORDS GESTURES AND DEEDS IN | 154 |
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action Antony and Cleopatra Antony's appear assassination audience Aufidius awareness battle bicause body Brutus and Cassius Bullough Casca Cassius character Cicero cittie Cominius common conflict conspirators contempt contrast conveys Coriolanus Corioles creates critical death deeds doth Dramatic Sources dramatist Egypt Egyptian embodiment enemies Enobarbus expression Feast of Lupercal feeling friends gives hand hath heart hero honour Ibid imagery Julius Caesar kill King King Lear Lavinia Leggatt Lepidus living Mark Antony Martius Menenius mother murder Narrative and Dramatic nature never noble Octavius Caesar patricians plebeians Plutarch Plutarch's account political Pompey Pompey's powerfully response reveals revenge Roman history Roman plays Roman values Roman world Rome sayd selfe Senate sense Shake Shakespeare Shakespeare's Roman shewed Sicinius significant social universe society soldiers speak speech sword thee thou Titus Andronicus tongue tragedy tribunes triumph unto vision Volsces Volumnia warre warrior words wounds