Shakespeare's Roman WorldsRoutledge, 1989 - 243 oldal Shows how a clear understanding of Shakespeare's explorations of Roman values offers invaluable critical insights into the Roman plays. |
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114. oldal
... lines he is pursuing at that point in the play ? What we have is celebration and munificence : CLEOPATRA I'll give thee , friend , An armour all of gold ; it was a king's . ANTONY He has deserv'd it , were it carbuncled Like holy ...
... lines he is pursuing at that point in the play ? What we have is celebration and munificence : CLEOPATRA I'll give thee , friend , An armour all of gold ; it was a king's . ANTONY He has deserv'd it , were it carbuncled Like holy ...
115. oldal
... line or phrase in Plutarch acts as a catalyst for creating a mood and conjuring lines from Shakespeare's mind . The subsequent descriptions of Antony making his servants and officers weep , and the strange sounds interpreted as the ...
... line or phrase in Plutarch acts as a catalyst for creating a mood and conjuring lines from Shakespeare's mind . The subsequent descriptions of Antony making his servants and officers weep , and the strange sounds interpreted as the ...
123. oldal
... lines is , of course , in striking contrast to the image of Egypt : attractively feminine , playful and indolent . The contrast is suc- cinctly summed up by Cleopatra when she says of Antony : He was dispos'd to mirth ; but on the ...
... lines is , of course , in striking contrast to the image of Egypt : attractively feminine , playful and indolent . The contrast is suc- cinctly summed up by Cleopatra when she says of Antony : He was dispos'd to mirth ; but on the ...
Tartalomjegyzék
IMAGES AND SELFIMAGES IN JULIUS CAESAR | 40 |
REALITIES AND IMAGININGS IN ANTONY AND | 93 |
SOUNDS WORDS GESTURES AND DEEDS IN | 154 |
Copyright | |
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action Antony and Cleopatra Antony's appear assassination audience Aufidius awareness battle bicause body Brutus and Cassius Bullough Casca Cassius character Cicero cittie Cominius common conflict conspirators contempt contrast conveys Coriolanus Corioles creates critical death deeds doth Dramatic Sources dramatist Egypt Egyptian embodiment enemies Enobarbus expression Feast of Lupercal feeling friends gives hand hath heart hero honour Ibid imagery Julius Caesar kill King King Lear Lavinia Leggatt Lepidus living Mark Antony Martius Menenius mother murder Narrative and Dramatic nature never noble Octavius Caesar patricians plebeians Plutarch Plutarch's account political Pompey Pompey's powerfully response reveals revenge Roman history Roman plays Roman values Roman world Rome sayd selfe Senate sense Shake Shakespeare Shakespeare's Roman shewed Sicinius significant social universe society soldiers speak speech sword thee thou Titus Andronicus tongue tragedy tribunes triumph unto vision Volsces Volumnia warre warrior words wounds