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WILLIAM WORDSWORTH

1770-1850

CCXXXI

INSIDE OF KING'S COLLEGE CHAFEL,

CAMBRIDGE.

AX not the royal Saint with vain expense,

ΤΑΧ

With ill-matched aims the Architect who planned-
Albeit labouring for a scanty band

Of white-robed Scholars only-this immense
And glorious Work of fine intelligence !

Give all thou canst; high Heaven rejects the lore
Of nicely-calculated less or more;

So deemed the man who fashioned for the sense
These lofty pillars, spread that branching roof
Self-poised, and scooped into ten thousand cells,
Where light and shade repose, where music dwells
Lingering and wandering on as loth to die;
Like thoughts whose very sweetness yieldeth proof
That they were born for immortality.

CCXXXII

MARY QUEEN OF SCOTS.

(LANDING AT THE MOUTH OF THE DERWENT, WORKINGTON.)

EAR to the Loves, and to the Graces vowed,

DEAR

The Queen drew back the wimple that she wore;
And to the throng, that on the Cumbrian shore
Her landing hailed, how touchingly she bowed!
And like a Star (that, from a heavy cloud
Of pine-tree foliage poised in air, forth darts,
When a soft summer gale at evening parts
The gloom that did its loveliness enshroud)
She smiled; but Time, the old Saturnian seer,
Sighed on the wing as her foot pressed the strand,
With step prolusive to a long array

Of woes and degradations hand in hand-
Weeping captivity, and shuddering fear

Stilled by the ensanguined block of Fotheringay!

CCXXXIII

CAVE OF STAFFA.

`HANKS for the lessons of this Spot-fit school

THAN

For the presumptuous thoughts that would assign
Mechanic laws to agency divine;

And, measuring heaven by earth, would overrule
Infinite Power. The pillared vestibule,
Expanding yet precise, the roof embowed,
Might seem designed to humble man, when proud
Of his best workmanship by plan and tool.
Down-bearing with his whole Atlantic weight
Of tide and tempest on the Structure's base,
And flashing to that Structure's topmost height,
Ocean has proved its strength, and of its grace
In calms is conscious, finding for his freight
Of softest music some responsive place.

WILLIAM WORDSWORTH

1770-1850

CCXXXIV

FLOWERS ON THE TOP OF THE PILLARS

AT THE ENTRANCE OF THE CAVE.

HOPE smiled when your nativity was cast,

Children of Summer! Ye fresh Flowers that brave

What Summer here escapes not, the fierce wave,
And whole artillery of the western blast,
Battering the Temple's front, its long-drawn nave
Smiting, as if each moment were their last.
But ye, bright Flowers, on frieze and architrave
Survive, and once again the Pile stands fast:
Calm as the Universe, from specular towers
Of heaven contemplated by Spirits pure
With mute astonishment, it stands sustained
Through every part in symmetry, to endure,
Unhurt, the assault of Time with all his hours,
As the supreme Artificer ordained.

CCXXXV

WILLIAM WORDSWORTH 1770-1850

MOST sweet it is with unuplifted eyes

To pace the ground, if path be there or none,
While a fair region round the traveller lies
Which he forbears again to look upon;
Pleased rather with some soft ideal scene,
The work of Fancy, or some happy tone
Of meditation, slipping in between
The beauty coming and the beauty gone.

If Thought and Love desert us, from that day
Let us break off all commerce with the Muse:
With Thought and Love companions of our way,
Whate'er the senses take or may refuse,

The Mind's internal heaven shall shed her dews
Of inspiration on the humblest lay.

CCXXXVI

TO THE AUTHOR OF "THE ROBBERS."

SACOLETOR SCHILLER! that hour I would have wished to die,

COLERIDGE

If through the shuddering midnight I had sent,
1772-1834 From the dark dungeon of the tower time-rent,
That fearful voice, a famished father's cry;
Lest in some after moment aught more mean
Might stamp me mortal. A triumphant shout
Black Horror screamed, and all her goblin rout
Diminished shrunk from the more withering scene.
Ah! bard tremendous in sublimity!

Could I behold thee in thy loftier mood,
Wandering at eve with finely frenzied eye

Beneath some vast old tempest-swinging wood,
Awhile with mute awe gazing I would brood,

Then weep aloud in a wild ecstasy!

CCXXXVII

TO THE RIVER OTTER.

DEAR native brook! wild streamlet of the West!

How many various-fated years have passed,
What happy, and what mournful hours, since last
I skimmed the smooth thin stone along thy breast,
Numbering its light leaps! Yet so deep imprest
Sink the sweet scenes of childhood, that mine eyes
I never shut amid the sunny ray,

But straight with all their tints thy waters rise,
Thy crossing plank, thy marge with willows gray,
And bedded sand that, veined with various dyes,
Gleamed through thy bright transparence. On my way,
Visions of childhood! oft have ye beguiled

Lone manhood's cares, yet waking fondest sighs:
Ah! that once more I were a careless child.

SAMUEL TAYLOR
COLERIDGE

1772-1834

O

CCXXXVIII

FANCY IN NUBIBUS:

OR THE POET IN THE CLOUDS.

IT is pleasant, with a heart at ease,

Just after sunset, or by moonlight skies,

To make the shifting clouds be what you please,
Or let the easily-persuaded eyes

Own each quaint likeness issuing from the mould
Of a friend's fancy; or, with head bent low

And cheek aslant, see rivers flow of gold

"Twixt crimson banks; and then, a traveller, go

From mount to mount through Cloudland, gorgeous land!
Or listening to the tide, with closed sight,

Be that blind bard who, on the Chian strand

By those deep sounds possessed with inward light,

Beheld the Iliad and the Odyssee

Rise to the swelling of the voiceful sea.

SAMUEL TAYLOR
COLERIDGE

1772-1834

CCXXXIX.

TO NATURE.

IT may indeed be phantasy when I

Essay to draw from all created things

Deep, heartfelt, inward joy that closely clings;
And trace in leaves and flowers that round me lie
Lessons of love and earnest piety.

So let it be; and if the wide world rings
In mock of this belief, to me it brings
Nor fear, nor grief, nor vain perplexity.
So will I build my altar in the fields,
And the blue sky my fretted dome shall be,
And the sweet fragrance that the wild flower yields
Shall be the incense I will yield to Thee,

Thee only God! and Thou shalt not despise
Even me, the priest of this poor sacrifice.

CCXL

TO TIME.

MARY TIGHE

1773-1810

ES, gentle Time, thy gradual, healing hand

YES,

Hath stolen from Sorrow's grasp the envenomed dart;

Submitting to thy skill, my passive heart

Feels that no grief can thy soft power withstand;
And though my aching breast still heaves the sigh,
Though oft the tear swells silent in mine eye;
Yet the keen pang, the agony is gone;

Sorrow and I shall part; and these faint throes
Are but the remnant of severer woes :
As when the furious tempest is o'erblown,
And when the sky has wept its violence,

The opening heavens will oft let fall a shower,
The poor o'ercharged boughs still drops dispense,
And still the loaded streams in torrents pour.

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