“The” Pictorial Edition of the Works of Shakspere, 7. kötetG. Routledge, 1867 |
Részletek a könyvből
1 - 5 találat összesen 76 találatból.
49. oldal
... languages , -in his loneliness at Stratford , following an uncongenial employment ; and then , in the strange whirl of the so - called great world of London , contending for long years with unfavourable circumstances , -in wearisome ...
... languages , -in his loneliness at Stratford , following an uncongenial employment ; and then , in the strange whirl of the so - called great world of London , contending for long years with unfavourable circumstances , -in wearisome ...
50. oldal
... language , versification , to be equal in two men , one devoting himself to dramatic poetry , and the other to narrative poetry , the dramatic poet has chances of failure which the narrative poet may entirely avoid . The dialogue , and ...
... language , versification , to be equal in two men , one devoting himself to dramatic poetry , and the other to narrative poetry , the dramatic poet has chances of failure which the narrative poet may entirely avoid . The dialogue , and ...
52. oldal
... language of the play . We will select a few specimens ( Act II . , Scene III . ) : - " The birds chant melody on every bush ; The snake lies rolled in the cheerful sun ; The green leaves quiver with the cooling wind , And make a chequer ...
... language of the play . We will select a few specimens ( Act II . , Scene III . ) : - " The birds chant melody on every bush ; The snake lies rolled in the cheerful sun ; The green leaves quiver with the cooling wind , And make a chequer ...
55. oldal
... language of Titus Andronicus : - " Foremost we may recognise with praise the almost never - wearying power of the language , wherein no shift is ever used . We know too well how often , in many French and German tragedies , the princes ...
... language of Titus Andronicus : - " Foremost we may recognise with praise the almost never - wearying power of the language , wherein no shift is ever used . We know too well how often , in many French and German tragedies , the princes ...
56. oldal
... language , this absence of stage conventionalities , as one of the results of the power which the poet possessed of distinctly conceiving his situations with reference to his characters . The Ohs and Ahs and Heavens of the English stage ...
... language , this absence of stage conventionalities , as one of the results of the power which the poet possessed of distinctly conceiving his situations with reference to his characters . The Ohs and Ahs and Heavens of the English stage ...
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Aaron Arcite Arden Bawd Ben Jonson blood Boult brother character comedy cousin criticism Daugh daughter death Demet doth dramatic edition Emilia English Enter Exeunt eyes fair fair Em father fear Fletcher folio friends Gaoler Gent gentle give gods Goths hand hath hear heart heaven HIPPOLYTA honour Jonson king Knight lady Lavinia live Locrine look lord Lucius maid Malone Marc Marcus master Mosbie Mucedorus nature ne'er never Noble Kinsmen Oldcastle opinion Palamon passage passion Pericles pity play Plutarch poet poetical poetry pray prince Prince of Tyre quarto queen Rome scene Shak Shakespeare Shakspere Shakspere's Sir John Oldcastle sorrow soul speak stage Steevens sweet Tamora tell thee Theseus thine thing Thomas Lord Cromwell thou art thou hast thought Tieck Titus Andronicus tragedy unto wife words writer Yorkshire Tragedy