Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 oldal The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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135. oldal
... gods not to let him be mad ; during the storm , for which he thinks the gods are responsible , he blames them for joining his daughters and urges them to find out hidden sinners . In the last scene he tells Cordelia that ' Upon such ...
... gods not to let him be mad ; during the storm , for which he thinks the gods are responsible , he blames them for joining his daughters and urges them to find out hidden sinners . In the last scene he tells Cordelia that ' Upon such ...
138. oldal
... gods which are appropriate to the changing situation . Professor Elton , indeed , allows30 that Edgar and Cordelia represent Prisca Theologia , Goneril , Regan and Edmund , pagan atheism , and Gloucester pagan superstition ; but his ...
... gods which are appropriate to the changing situation . Professor Elton , indeed , allows30 that Edgar and Cordelia represent Prisca Theologia , Goneril , Regan and Edmund , pagan atheism , and Gloucester pagan superstition ; but his ...
185. oldal
... gods look down , and this unnatural scene They laugh at , the scene is not unnatural because Coriolanus was acting as a destroyer of his native city , nor because it is unnatural for the proud Coriolanus to yield to his mother's ...
... gods look down , and this unnatural scene They laugh at , the scene is not unnatural because Coriolanus was acting as a destroyer of his native city , nor because it is unnatural for the proud Coriolanus to yield to his mother's ...
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action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words