Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 oldal The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
Részletek a könyvből
1 - 3 találat összesen 44 találatból.
13. oldal
... action issued from character , or character issued in action . In most of his tragedies chance or accident has an appreciable influence . So far so good ; but Bradley continues : 3 In the circumstances where we see the hero placed , his ...
... action issued from character , or character issued in action . In most of his tragedies chance or accident has an appreciable influence . So far so good ; but Bradley continues : 3 In the circumstances where we see the hero placed , his ...
37. oldal
... action dignified . Within the infant rind of this weak flower Poison hath residence , and medicine power ; Two such opposed kings encamp them still In man as well as herbs - grace and rude will ; And where the worser is predominant ...
... action dignified . Within the infant rind of this weak flower Poison hath residence , and medicine power ; Two such opposed kings encamp them still In man as well as herbs - grace and rude will ; And where the worser is predominant ...
169. oldal
... action in the first three acts , the first half of the play not being tragic in tone . Other critics have complained that the treatment was episodic and that the play as a whole was lacking in unity . Shakespeare , of course ...
... action in the first three acts , the first half of the play not being tragic in tone . Other critics have complained that the treatment was episodic and that the play as a whole was lacking in unity . Shakespeare , of course ...
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words