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A damsel with a dulcimer
In a vision once. I saw ;
And on her dulcimer she play'd,
That is but one note of a music ever sweet, yet never cloying.
It ceas'd; yet still the sails made on
A pleasant noise till noon,
In the leafy month of June,
The stanzas of the poem from which this extract is made (The Ancient Mariner) generally consist of four lines only; but see how the “ brook” has carried him on with it through the silence of the night.
I have said a good deal of the versification of Christabel, in the Essay prefixed to this volume, but I cannot help giving a further quotation.
it was a lovely sight to see
Of massy leafless boughs,
To make her gentle vows :
All the weeping eyes of Guido were nothing to that. But ! shall be quoting the whole poem. I wish I could ; but I fear to trespass upon the bookseller's property. One more passage, however, I cannot resist. The good Christabel had been under. going a trance in the arms of the wicked witch Geraldine :
A star hath sei, a star hath risen,
O Geraldine ! since arms of thine
O Geraldine! one hour was thine--
(An appalling fancy)
But now they are jubilant anew,
And see! the lady Christabel (This, observe, begins a new paragraph, with a break in the rhyme)
Gathers herself from out her trance;
Yea, she doth smile, and she doth weep,
We see how such a poet obtains his music. Such forms of melody can proceed only from the most beautiful inner spirit of sympathy and imagination. He sympathizes, in his universality, with antipathy itself. If Regan or Goneril had been a young and handsome witch of the times of chivalry, and attuned her violence to craft, or betrayed it in venomous looks, she could not have beaten the soft-voiced, appalling spells, or sudden, snakeeyed glances of the lady Geraldine - looks which the innocent Christabel, in her fascination, feels compelled to “imitate.”
A snake's small eye blinks dull and shy,
The maid devoid of guile and sin
This is as exquisite in its knowledge of the fascinating ten. dencies of fear as it is in its description. And what can surpass a line quoted already in the Essay (but I must quote it again !) for very perfection of grace and sentiment ?—the line in the passage where Christabel is going to bed, before she is aware that her visitor is a witch.
Quoth Christabel,-So let it be!
Oh! it is too late now; and habit and self-love blinded me ar the time, and I did not know (much as I admired him) how grear a poet lived in that grove at Highgate; or I would have cultivated its walks more, as I might have done, and endeavored to return him, with my gratitude, a small portion of the delight his verses have given me.
I must add, that I do not think Coleridge's earlier poems at all equal to the rest. Many, indeed, I do not care to read a second time ; but there are some ten or a dozen, of which I never fire, and which will one day make a small and precious volume to put in the pockets of all enthusiasts in poetry, and endure with the language. Five of these are The Ancient Mariner, Christa. bel, Kubla Khan, Genevieve, and Youth and Age. Some, that more personally relate to the poet, will be added for the love of him, not omitting the Visit of the Gods, from Schiller, and the famous passage on the Heathen Mythology, also from Schiller. A short life, a portrait, and some other engravings perhaps, will complete the book, after the good old fashion of Cooke's and Bell's editions of the Poets ; and then, like the contents of the Jew of Malta's casket, there will be
Infinite riches in a little room.
LOVE; OR, GENEVIEVE.
All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
And feed his sacred flame.
Oft in my waking dreams do I
Live o'er again that happy hour,
Beside the ruin’d tower.
The moonlight stealing o'er the scene
Had blended with the lights of eve,
My own dear Genevieve !
The statue of the armed knight;
Amid the lingering light.
Few sorrows hath she of her own,
My hope! my joy! my Genevieve
The songs that make her grieve.
I play'd a soft and doleful air,
I sang an old and moving storyAn old rude song, that suited well
That ruin wild and hoary.
She listend with a flitting blush,
With downcast eyes and modest gracon For well she knew I could not choose
But gaze upon her face.
I told her of the knight that wore
Upon his shield a burning brand; And that for ten long years he woo'd
The lady of the land.
I told her how he pin'd, and-ah!
The deep, the low, the pleading tone With which I sang another's love,
Interpreted my own.
She listen'd with a flitting blush,
With downcast eyes and modest grace, And she forgave me, that I gaz'd
Too fondly on her face !
But when I told the cruel scorn
That crazed that boid and lovely knight, And that he cross'd the mountain-woods,
Nor rested day nor night:
That sometimes from the savage den,
And sometimes from the darksome shade, And sometimes starting up at once
In green and sunny glade,
There came and look'd him in the face
An angel beautiful and bright; And that he knew it was a fiend,
This miserable knight!
And that, unknowing what he did,
He leap'd amid a murderous band,
The lady of the land !
And how she wept and claspt his knees;
And how she tended him in vain