scattering couples and individuals standing here and there in the street, and over the way, watching me with interest. The group separated and fell back as I approached, and I heard a man say, “Look at his eye!” I pretended not to observe the notice I was attracting, but secretly I was pleased with it, and was purposing to write an account of it to my aunt. I went up the short flight of stairs, and heard cheery voices and a ringing laugh as I drew near the door, which J opened, and caught a glimpse of two young, rural-looking men, whose faces blanched and lengthened when they saw me, and then they both plunged through the window, with a great crash. I was surprised. In about half an hour an old gentleman, with a flowing beard and a fine but rather austere face, entered, and sat down at my invitation. He seemed to have something on his mind. He took off his hat and set it on the floor, and got out of it a red silk handkerchief and a copy of our paper. He put the paper on his lap, and, while he polished his spectacles with his handkerchief, he said: "Are you the new editor?" I said I was. "Have you ever edited an agricultural paper before?" "No," I said; "this is my first attempt." Then this old person got up and tore his paper all into small shreds, and stamped on them, and broke several things with his cane, and said I did not know as much as a cow; and then went out, and banged the door after him, and, in short, acted in such a way that I fancied he was displeased about something. But, not knowing what the trouble was I could not be any help to him. But these thoughts were quickly banished, when the reg、 ular editor walked in! [I thought to myself, Now if you had gone to Egypt, as I recommended you to, I might have had a chance to get my hand in; but you wouldn't do it, and here you are. I sort of expected you.] The editor was looking sad, and perplexed, and dejected. He surveyed the wreck which that old rioter and these two young farmers had made, and then said: "This is a sad business-a very sad business. There is the mucilage bottle broken, and six panes of glass, and a spit toon, and two candlesticks. But that is not the worst. The reputation of the paper is injured, and permanently, I fear. True, there never was such a call for the paper before, and it never sold such a large edition or soared to such celebrity; but does one want to be famous for lunacy, and prosper upon the infirmities of his mind? My friend, as I am an honest man, the street out here is full of people, and others are roosting on the fences, waiting to get a glimpse of you, because they think you are crazy. And well they might, after reading your editorials. They are a disgrace to journalism. Why, what put it into your head that you could edit a paper of this nature? You do not seem to know the first rudiments of agriculture. You speak of a furrow and a harrow as being the same thing; you talk of the moulting season for cows; and you recommend the domestication of the pole-cat on account of its playfulness and its excellence as a ratter. Your remark that clams will lie quiet if music be played to them, was superfluous entirely superfluous. Nothing disturbs clams. Clams always lie quiet. Clams care nothing whatever about music. Ah! heavens and earth, friend, if you had made the acquiring of ignorance the study of your life, you could not have graduated with higher honor than you could to-day. I never saw anything like it. Your observation that the horse-chestnut, as an article of commerce, is steadily gaining in favor, is simply calculated to destroy this journal. I want you to throw up your situation and go. I want no more holiday—I could not enjoy it if I had it. Certainly not with you in my chair. I would always stand in dread of what you might be going to recommend next. It makes me lose all patience every time I think of your discussing oyster-beds under the head of ‘Landscape Gardening.' I want you to go. Nothing on earth could persuade me to take another holiday. Oh! why didn't you tell me that you didn't know anything about agriculture?” "Tell you, you cornstalk, you cabbage, you son of a cauliflower! It's the first time I ever heard such an unfeeling remark. I tell you I have been in the editorial business going on fourteen years, and it is the first time I ever heard of a man's having to know anything in order to edit a newspaper. You turnip! "I take my leave, sir! Since I have been treated as you have treated me, I am perfectly willing to go. But I have done my duty. I have fulfilled my contract, as far as I was permitted to do it. I said I could make your paper of interest to all classes, and I have. I said I could run your circulation up to twenty thousand copies, and if I had had two more weeks I'd have done it. And I'd have given you the best class of readers that ever an agricultural paper hadnot a farmer in it, nor a solitary individual who could tell a watermelon from a peach-vine to save his life. You are the loser by this rupture, not me, Pie-plant. Adios." I then left. THE BOY WHO WENT FROM HOME. "You ask me which is the dearest, Five children are round our hearth-stone, "Come in and sit awhile with me, To talk to a friend like you About this wayward boy of mine, And how the thought of him has kept My pillow wet with tears. "You never saw him, neighbor mine? In face he was like his father, "But he had such a smiling way, And a blue and sunny eye; And my heart was like a heart of wax And no matter what he wished for, "He grew a bit wild and thoughtless, He laughed at his mother's chidings, "And so one day he left us Ah, my darling, handsome lad "I'm glad I've said this much to you, I feel a little ease of heart, Though you have said not a word, "Perhaps I am growing childish, That one day my boy will come again, I must have been weak and faulty, "His father never looked the same, I thought above the garden fence "Stand out of my light, dear neighbor! My long-lost boy come home again, The latch of the gate was lifted, A bearded man with boyhood's eyes My boy who went from home." MERCY.-SHAKSPEARE. The quality of mercy is not strained; Wherein doth sit the dread and fear of kings; It is an attribute to God himself; And earthly power doth then show likest God's And that same prayer should teach us all to render |