In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003. ápr. 9. - 332 oldal Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... repress and return to him . Everything moves , for Hartman , after an opening decision regard- ing these questions of comportment : The " terrible spectacle " that introduced Frederick Douglass to slavery was the beating of his Aunt ...
... enough to repress the encounter . So lingering in the psychoana- lytic break is crucial in the interest of a certain set of complexities that cannot be overlooked but must be traced back to this 4- RESISTANCE OF THE OBJECT.
... repression . It's the ongoing repression of the primal scene of subjection that one wants to guard against and linger in . Douglass passes on a repression that Hartman's critical suppression extends . Such transfer demands that one ask ...
... repression ; imagine what cuts and anticipates Marx , remembering that the object resists , the commodity shrieks , the audience participates . Then you can say that Marx is prodigal ; that in his very formulations regarding Man's ...
... repress the learning that Spillers describes . But note that this attenuated covering of the mater- nal mark in Douglass is itself part and parcel of a kind of counterin- scription before the fact , a prefigurative rematerialization ...
Tartalomjegyzék
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |