In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003. ápr. 9. - 332 oldal Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... Amiri Baraka , in chapter 2 are reprinted by permission of Sterling Lord Literistic , Inc .; copyright 1964 by Amiri Baraka . All rights reserved . No part of this publication may be reproduced , stored in a retrieval system , or ...
... Amiri Baraka , Samuel R. Delany , Cecil Taylor , and above all Nathaniel Mackey have been invaluable examples . The sense of working together on a collective project with Alan Jackson , Errol Louis , Steve Harney , Eric Chandler , Akira ...
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Tartalomjegyzék
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |