WHISPERS OF HEAVENLY DEATH. Whispers of heavenly death murmur'd I hear, and low, Ripples of unseen rivers, tides of a current flowing, for ever flowing, (Or is it the plashing of tears? the measureless waters of human tears ?) I see, just see skyward, great cloud-masses. Mournfully, slowly they roll, silently swelling and mix ing, With at times a half-dimm'd, sadden'd, far-off star Appearing and disappearing. (Some parturition, rather, some solemn, immortal birth; On the frontiers, to eyes impenetrable, Some soul is passing over.) TO THE MAN-OF-WAR BIRD. Thou who hast slept all night upon the storm, wrecks, realms gyrating, At dusk that look'st on Senegal, ať morn America, TO THOSE WHO'VE FAIL'D. To those who've fail'd, in aspiration vast, to pilots on their ships, To many a lofty song and picture without recognition I'd rear a laurel-covered monument, High, high above the rest — to all cut off before their time, Possess’d by some strange spirit of fire, Quench'd by an early death. JOY, SHIPMATE, JOY! Joy, shipmate, joy! HEROIC DEATHS. The final use of the greatest men of a Nation is, after all, not with reference to their deeds in themselves, or their direct bearing on their times or lands. The final use of a heroic-eminent life — especially of a heroiceminent death — is it's indirect filtering into the nation and the race, and to give, often at many removes, but unerringly, age after age, color and fibre to the personalism of the youth and maturity of that age, and of mankind. Then there is a cement to the whole people, subtler, inore underlying than anything in written constitution, or courts or armies — namely, the cement of a death identified thoroughly with that people, ať its head, a and for its sake. Strange, (is it not?) that battles, ( martyrs, agonies, blood, even assassination, should so condense - perhaps only really, lastingly condense - a Nationality. I repeat it the grand deaths of the race the dramatic deaths of every nationality — are its most important inheritance value — in some respects beyond its literature and art — (as the hero is beyond his finest portrait, and the battle itself beyond its choicest song or epic).— The Death of Abraham Lincoln. w HITNEY, ADELINE DUTTON TRAIN, an Amer ican novelist; born at Boston, Mass., Sep tember 15, 1824. After receiving her education in Boston, she was married to Seth D. Whitney in 1843. She has contributed to magazines, and is the author of Footsteps on the Seas, a poem (1857); Mother Goose for Grown Folks (1860; revised ed., 1882); Boys at Cheqılasset (1862); Faith Gartney's Girlhood (1863); The Gayworthys (1865); A Summer in Leslie Goldthwaite's Life (1866); Patience Strong's Outings (1868); Hitherto (1869); We Girls (1870); Real Folks (1871); Pansies, poems (1872); The Other Girls (1873); Sights and Insights (1876); Just How: a Key to the Cook Books (1878); Odd or Even (1880); Bonnyborough (1885); Homespun Yarns (1886); Holly-Tides (1886); Daffodils (1887); Bird Talk (1887); Ascutney Street (1890); A Golden Gossip (1892); White Memories: Three Poems (1893); and Friendly Letters to Girl Friends (1897). SUNLIGHT AND STARLIGHT. God sets some souls in shade, alone; God knows. Content thee with thy night. Lose the less joy that doth but blind; - Pansies. HUMPTY DUMPTY. Humpty Dumpty sat on a wall, Full many a project that never was hatched If each restless unit that moves among men If always the statesman attained to his hopes, ropes? Or if all dainty fingers their duties might choose, Who would wash up the dishes, and polish the shoes ? Suppose every aspirant writing a book stockings? No! Failure's a part of the infinite plan; So the great scheme works on,- though, like eggs from the wall, Little single designs to such ruin may fall, That not all the world's might, of its horses or men, Could set their crushed hopes at the summit again. A VIOLET. God does not send us strange flowers every year. When the spring wind blows o'er the pleasant places, The same dear things lift up the same fair faces, The violet is here. It all comes back: the odor, grace, and hue; It is the thing we knew. So after the death-winter it must be. Veilchen! I shall have thee. |