 Marner's face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression as a handle or a crooked tube, which has no meaning standing apart.  The Ladies' Companion - 273. oldal1861Teljes nézet - Információ erről a könyvről
 | George Eliot - 1861 - 398 oldal
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1870 - 816 oldal
...faco and figure shrank and bunt themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy now looked as if they had been made to see... | |
 | Chambers W. and R., ltd - 1877 - 464 oldal
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1878 - 426 oldal
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1883 - 742 oldal
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1885 - 564 oldal
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1886 - 626 oldal
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1887 - 438 oldal
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1895 - 416 oldal
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1895 - 474 oldal
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
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