Kotzebue, Augustus Von, his passion for the drama, ii. 39. iii. 198. observations on stage language, Kynaston, the actor, his quarrel with Sir C. Sedley, i. 176. La Motte, the French author, his wonderful memory, iii. 117. reading and performance, i. 109. his reply to Sir R. L'Estrange, ii. 113. lines to, i. 228. his letter on his benefit, iii. 151. Locke, Mathew, the musical composer, anecdote of, iii. 130. Macbeth, various performers of, iii. 33. Jeu de Mot, of an eminent lawyer, at a performance Macklin, bis epitaph by Pope, ii. 11. ii. 57. comedy of "The Man of the World," ii. 39. last appearance, ii. 113. repartee on Foote's watch, ii. 150. criticism on Barry and Garrick, ii. 256. Macready, the tragedian, his humanity, i. 6. Marshall, Mrs., the actress, and the Earl of Oxford, i. 140. Mathews, his interview with Tate Wilkinson, ii, 166. Middleton, author of the suppressed play, his petition to Miller, James, dramatic writer, his independent spirit, Joe, his epitaph by Dack, ii. 257. Moncriff, the author, a critic's address to, ii. 21. Montague, Mrs., her insolent behaviour to the audience, Montfleury, the French tragedian, his death, i. 142. ter of an actor, i. 260. opinion of the charac- Montford, Mrs., her performance of Ophelia, when insane, Moody, and the highwayman, ii. 140. Moralities, ancient, one of the earliest improvements on the called "The Cradle of Security," acted at Gloucester, ii. 167. Parts," in, iii. 221. Mossop, his dialogue with Mrs. Barden, i. 73. Mountford, the comedian, his mimicry, iii. 48. Mountford, William, the actor, account of his murder, Mudie, Miss, her first appearance, ii. 2. Munden, his early career, ii. 128. Marphy, (A.) his characters in " The Way to Keep Him," ii. 67. iii. 214. anecdote of his bust, iii. 208. , success of his "Three Weeks after Marriage," Mysteries, or miracles, the first sacred dramas, i. 132. - Swedish, iii. 119. English, in Germany, iii. 237. "Nabob," the original of Foote's, i. 16. Nabarro, the Spanish dramatist, anecdotes respecting, i. 3. Newcastle, Duchess of, account of her dramatic works, Norris, the actor, his witty reply to a physician, iii. 104. O'Keefe, plot of his "London Hermit," and anecdote on " lines to, by Peter Pindar, i. 25. Oldfield, Mrs., her benevolent qualities, i. 224. her reception at Court, iii. 267. Orchestra in the ancient Theatres, description of, i. 279. Palmer, John, his death, ii. 272. Pantomime, the history of, from its earliest period, i. 117. Parsons, the comedian, anecdote of him as a painter, i. 286. Peer, William, actor at the Restoration, account of, iii. 202. of Shakspeare, iii. 277. Phillips, the barlequin, his escape from a bailiff, i. 264. Piron, the French dramatist, his epitaph, i. 75. -wit, ii. 112. Play, the first suppressed, account of,, ii. 14. performed by the Royal Family, in 1749. ii. 35. Play, seats on the stage at, in the reign of Queen Elizabeth, , curious, represented before Cardinal Richelieu, ii. 267. plot of a Neapolitan, iii. 121. description of Luxury in, "The Return from Par- scriptural, at Turin, described by Spence, iii. 148. -- s, loyalty of, to Charles I., iii. 96. violent emotions of Betterton, Baron, and others, Plays, puppet, of former times, i. 4. opposed to the regular drama, i. 87. ---, stage, suppression of, by Parliament, iii. 23. " --, by the society of the two Temples, in 1715, iii. 159. Pont Alais, wit of author and actor, in the " Mysteries," Pope, his epitaph on Macklin, ii. 11. Porson, professor, his quotation from the tragedy of "Da- Porter, Mrs., and the highwayman, i. 215. Powell, and Warren, his dresser, ii. 254. Prices, ancient, of admission to theatrical entertainments, i. 23. Printer, a Parisian, bis tragedy, i. 89. Pritchard, Mrs., Miss Seward's opinion of, i. 168. Prologue, Hibernian, i. 199. spoken at Demerara, i. 55. written by T. Warton, at Winchester, ii. 54. Prynne, William, bis attack on the stage, iii. 76. Queensbury, Duke and Duchess of, forbid the Court for Quevedo, his compositions, ii. 149. Quick, his performance of Richard III. i. 66. i. 67. poetical address, prior to the above performance, Quin, epitaph on, by Garrick, i. 195. his generosity to Mrs. Bellamy, ii. 16. Foote's imitations of, ii. 85. Judicrous mistake at his rehearsal of Coriolanus, ii. 120. bis biography, ii. 245. iii. 167. anecdote of Joe Haines, and Lord Sunderland, rencontre with Bowen, iii. 211. Quinault, the French dramatic author, his talents as a lawyer, Racine, bis opinion on a young author, ii. 133. Raleigh, Sir Walter, detached poetry by, ii. 176. and Aricia," i. 174. Raymond, James Grant, anecdotes of, iii. 260. Reddish, his affidavit and apology, i. 259. Reynolds, Frederick, his encouragement when commencing his repartee to Garrick, iii. 102. Richelieu, Cardinal, curious play represented before him, ii. 267. iii. 255. comedy introduced by him, Robinson, Dicky, the comedian, i. 63. Mrs., her history, ii. 60. Ross, his performance of George Barnwell, ii. 124. Rousseau, bis distinction between tragedy and comedy, Rowe, Harry, the York trumpeter, his edition of Shakspeare, Rueda, Lope de, the founder of the Spanish drama, i. 1. Ryan, the tragedian, his character, i. 212. -, Richard, his poetical reply to Hogg's Ode to the Saches, Hans, a voluminous author of plays, &o. i. 96. |