Rhetoric and Renaissance CultureWalter de Gruyter, 2008. aug. 22. - 596 oldal Der Band bietet eine kulturhistorische Darstellung der europäischen Renaissance mit dem Schwerpunkt von Poetik und Literatur unter den Aspekten Imagination/Inventio, Gattungstheorie/Dispositio, Stil/Elocutio, Architektur/Memoria sowie Darstellung/Actio. Shakespeares Werke dienen der exemplarischen Veranschaulichung der beschriebenen rhetorischen Phänomene. Besondere Aufmerksamkeit ist der Rhetorik von Malerei und Musik sowie der rhetorischen Kulturideologie gewidmet. |
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41. oldal
... emotions. Though the printing-press had created a new medium that produced a new type of memory of greater objectivity, the classical ars memorativa was not rendered altogether superfluous but ac- quired new aesthetic functions in the ...
... emotions. Though the printing-press had created a new medium that produced a new type of memory of greater objectivity, the classical ars memorativa was not rendered altogether superfluous but ac- quired new aesthetic functions in the ...
103. oldal
... emotions for the efficiency of rhetoric was stressed time and again by Klaus Dockhorn.48 While criticizing the rhetorical conceptions of Ernst Robert Curtius and Heinrich Lausberg, he pointed out the significance of the Ciceronian triad ...
... emotions for the efficiency of rhetoric was stressed time and again by Klaus Dockhorn.48 While criticizing the rhetorical conceptions of Ernst Robert Curtius and Heinrich Lausberg, he pointed out the significance of the Ciceronian triad ...
104. oldal
... emotions) – pathos (i. e., vehement, passionate affections), together with the psychology of affections which later became an integral part of many treatises on rhetoric.50 In early Christianity it was St. Augustine (354-430) who in De ...
... emotions) – pathos (i. e., vehement, passionate affections), together with the psychology of affections which later became an integral part of many treatises on rhetoric.50 In early Christianity it was St. Augustine (354-430) who in De ...
105. oldal
... emotions in poetry. In England such a conception found imitation, for instance in Sidney's Apologyfor Poetry, which defines. 55 Book VIII is “De affectibus” which are meticulously analysed in the scholastic manner. - On the various ...
... emotions in poetry. In England such a conception found imitation, for instance in Sidney's Apologyfor Poetry, which defines. 55 Book VIII is “De affectibus” which are meticulously analysed in the scholastic manner. - On the various ...
121. oldal
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Tartalomjegyzék
1 | |
11 | |
85 | |
C Intermedial Rhetoric | 295 |
Shakespeare as Orator Poet | 413 |
E Iconography of Rhetoric and Eloquence | 499 |
Backmatter | 553 |
Más kiadások - Összes megtekintése
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action actor Apology for Poetry Art of Memory Arte of English Arte of Rhetorique artem Ben Jonson century chap chapter Cicero classical comedy commonplace concept Coriolanus courtier courtly Critical culture decorum dispositio drama edition effect Elizabethan elocutio Eloquence emblem emotions enargeia England English Poesie English Renaissance epideictic Essays Facsimile Reprint Figure Frankfurt/M genres George Puttenham H.F. Plett Hamlet Henry Peacham Hercules Gallicus humanist Iago icon illustrate images imagination imitation intertextuality inventio invention Johann John Julius Caesar Scaliger language Latin literary literature London meditation metaphor mnemonic München nature orator Orpheus Othello Oxford painter painting passion philosophy pictorial picture play poem poet poeta poétique Princeton prosopopoeia Quintilian Renaissance Rhetoric representation rhetoric Rhetorica Rhetorik Richard role Scaliger Shakespeare Sidney social speaking speech stage Studies style stylistic theatrical theory things Thomas Sébillet thou tion tradition tragedy Trans treatise tropes verbal visual words York