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connected with each other by certain points of analogy or similitude.

These groups are eight in number, as indicated in Article XVI.

The members of each group will nominate their President and Vice President.

Article LXVIII. The decisions of any Special Jury will not be confirmed until approved of by the group to which it belongs.

Article LXIX. The rewards of the first class will not be granted until they have been revised by a Council composed of the Presidents and Vice-Presidents of the Special Juries.

The Jury of Fine Arts is excepted from this rule. Article LXX. Each Special Jury is allowed to call in to its assistance, as associates or experts, one or more persons technically acquainted with any particular articles submitted for their examination. These persons may be either selected from among the members of other Juries, or from among persons not members of the Jury, possessing the required information. The members thus called in will only take part in the labours of the Jury, as regards the particular object for which their services were required; they will only be entitled to deliberate, and not to vote.

The second, Sculpture and Die sinking.
The third, Architecture.

Each section will determine with regard to works coming under their own province.

Article LXXXI. The Exhibition is open to the productions of French and foreign artists who were living on the 22nd June, 1853, the date of the Decree constituting the Exhibition of Fine Arts.

Article LXXXII. Artists may send to the Universal Exhibition works that have already been previously exhibited; they will only not be allowed to send

1. Copies (excepting those which reproduce a work in a different manner, on enamel, by drawing, &c.) 2. Pictures and other objects without frames. 3. Sculptures in unbaked clay.

Article LXXXIII. The following Articles of the present Rules apply to the Division of Fine Arts. Articles 1 to 13; 15 to 30. Articles 35, 36, 40 to 47; 49 to 52; and 58 to 77.

(Here follow the signatures.)

AMERICAN PATENT LAW.

In the course of the discussion on the Patent Laws which Article LXXI. Any exhibitor accepting the functions took place in January and February last, it will be reof a Juror or Deputy Juror, will by so doing be ex-membered that some allusion was made to the cost of cluded from the competition for rewards.

The Jury for Fine Arts is excepted from this rule. Article LXXII. Those exhibitors are equally ineligible for reward who may have been called in to assist Juries, as associates or experts, but only for the particular class in which they have acted.

patents in the United States, and to the fact that foreigners were charged a higher fee than citizens, and Englishmen more than any other foreigners. This, it was stated, arose from patents being dearer in other countries than in America, where the charge was adjusted according to what a citizen would have to pay in another country.

Article LXXIII. Each Jury can according to circum-During the course of the discussion, Mr. Charles F. stances subdivide itself into Committees; but they cannot make any award without a majority of the entire Jury.

Article LXXIV. Special Commissioners, assisted by Inspectors of Sections, will be charged to prepare the work for the Juries, to take care that the goods of no exhibitor escape their examination; to receive the observations and complaints of exhibitors, to repair any omissions, errors, or confusions that may occur; to see that the established rules are observed, to explain these rules to the Juries, whenever necessary.

Article LXXV These Commissioners will not interfere with the deliberations of the Juries, further than to prove facts, remind them of rules, and present the complaints of exhibitors.

Article LXXVI. The nature of the rewards to be distributed, and the general principles that will be adopted as the basis of such rewards, will be determined at an after period by a Decree, based on the recommendations of the Imperial Commission.

Stansbury, who was for some time in the American Patent Office, said he had addressed a letter to the Commissioner of Patents of the United States, urging the propriety of adopting a uniform fee. In this letter, after advising that the fee should be as low as possible, and made payable in three or four instaliments, he says:

"The present law exacts a fee of 500 dollars from a British subject, and 300 dollars from any other foreigner. These high fees have always been defended on the ground of reciprocity. It has been said, 'We charge the foreigner only what he charges us.' But this plea is founded neither upon correct principle nor actual practice. It is not correct in principle because reciprocity does not mean retaliation. It simply means, as applied to this question, such an adjustment of the fee as shall put foreigners on the same footing, as regards our law, as our own citizens occupy under the laws of the foreign country. In treaty stipulations, it is a common practice for each of the contracting parties to agree with the other that they shall reciprocally be placed on the same footing with the Article LXXVII. In every case, independently of the most favoured nations; and the question what that foothonorary distinctions that may be awarded, the Council ing is, is not necessary to be raised in order to determine of Presidents and Vice-Presidents will have the power of whether reciprocity is established. The agreement itself recommending, according to circumstances, to the Em- is reciprocity. Now, reciprocity, as thus defined, would peror, such exhibitors as may appear to merit special demand that we should, because other nations do marks of public gratitude, or encouragement of any so, charge the same fees to natives of all countries, withother nature, on account of services rendered to civilisa-out distinction; in short, it would require us to put tion, humanity, art, or science; or for any considerable foreigners on the same footing as our own citizens, for they sacrifices, having as their object general utility, both as make no discrimination against us, notwithstanding ours regards inventors and producers. against them.

SPECIAL RULes regarding THE FINE ARTS. Article LXXVIII. A French Jury appointed at Paris will determine on the admission of the works of French artists.

Article LXXIX. The Members of the French Jury of Admission will be appointed by the Section of Fine Arts of the Imperial Commission.

Article LXXX. The Jury of Admission for the Fine Arts will be divided into three sections.

The first will comprehend Painting, Engraving, and Lithography.

"On the principle of retaliation the British government might say, you charge our subjects sixteen times as much as your own citizens, and two-fifths more than all other foreigners; we will treat you in the same manner, and charge you sixteen times as much as we charge British subjects.' This would bring up the British fee to a sum which would amount to an entire exclusion of American inventors from protection here (England). There would, moreover, be no end to this war of retaliation, once acknowledged as a correct principle in international affairs. But, admitting that retaliation be the correct principle, it has not in fact been followed, inasmuch as no country in Europe,

policy upon sister nations-a manifost absurdity and wrong. The actual amount of the fee must be regulated by the circumstances of each government. In England it is not out of proportion to the other taxes."

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with perhaps one exception, so far as I am able to learn. now charges as much either as 500 dollars or 300 dollars for a patent. If, then, this high fee be not demanded on the ground of reciprocity or retaliation, it would seem that the only ground upon which it can rest must be that In his report to the President of the Senate for the year of protection to the American inventor." Mr. Stansbury 1853, the Hon. Chas. Mason, the Commissioner of Patents, then refers to the rigid examination which all applications says: "Another change connected with this subject which undergo as regards novelty or priority of invention,-ex seems to be imperatively called for, relates to the fee repressing the opinion that when any doubtful case arises in quired of foreigners. That fee seems to the undersigned this respect, the advantage is all on the side of the American enormous and indefensible upon any principle of justice inventor, and proceeds, "but it may be urged that the or sound policy. If a patent is to be regarded as a downprotection here meant is not the protection of individual right gratuity conferred by the Government on the ininventions, but the general protection of American inge-ventor, simple equity dictates that we should not impose nuity against foreign competition. Had not this argument more onerous conditions on the subjects of other governactually been urged, I should not have thought it worthy of ments than those governments exact from our refutation. To talk in this century of protecting all possible citizens. The stern rule of retaliation would ask for future American inventions is, I submit, simply absurd. It nothing more than such reciprocity. Within the last would be to shut ourselves out from the influence of two years Great Britain has greatly diminished her former human progress. It would be to throw away the aid of high rates of patent fees. It is believed that in no the intelligence of nine-tenths of the human family. It country in Europe are our citizens taxed for these purwould be saying, 'We will have no part nor lot in any poses as severely as we now tax theirs. It is well known ameliorations or improvements which do not originate on that some European governments impose a lower rate of our own soil.' The genius of the American people is fees on an American citizen than he would be required to opposed to such illiberality. It is their policy and their pay by this Office; and yet we continue to charge a province to adopt, utilize, and improve the practical British subject 500 dollars, and any other alien 30C thoughts of the whole world, and to make such thoughts dollars, for that which we grant to our own citizens for their willing slaves in working out the great practicable 30 dollars. But the granting of a patent is not a mere problems of civilisation. Nor is such protection in any gratuity by the Government; it is the recognition of an way aided by a prohibitory fee, for, as long as the present evident right in the inventor. No title to property can be principle of examination is retained, those foreign inven more just or valid than his who has created that property. tions which are excluded, and therefore useless to the The rule of natural justice is the same in this respect American people, stand just as much in the way of the whether the inventor be a citizen or an alien. American inventor's procuring a patent as if they were But there is a reason, founded in sound policy, why admitted and enjoyed. It may be said that foreign greater liberality should be exercised towards a foreign inventions may be introduced without being protected by inventor than towards the alien owner of tangible proan American patent. This is, no doubt, true; but every perty. He pays a consideration, which the other does one acquainted with the subject knows that, practically, not by taking out a patent, he makes the subject thereof the prohibitory character of the fee prevents the foreign public property at the end of fourteen years. The benefits inventor from making any effort to secure the introduction of the invention are then secure, and can never be lost to of his improvement, and no one else feels disposed to go the world. High charges deter inventors from parting to the necessary expense and trouble. It is a fact within with their secrets. Many an invention is thus strangled my own knowledge, that hundreds of excellent inventions, in its birth, which, under other circumstances, night well adapted to our wants, are kept out by the exorbitant have been developed into something of vast consequence amount of the fee, and have not found their way to our to the world. There are no lost arts under a liberal and country through the ordinary channels of trade. well-regulated patent office system; and this is one of its great advantages. If foreign nations choose to place these chief means of human progress in subordination to the requirements of their respective exchequers, we are forbidden to imitate them, both by the condition of our treasury and the well-established policy of our government. From the preceding considerations it seems evident that a great change should be made as to the fees required from foreign applicants. It is respectfully submitted, whether the most convenient, wise, and beneficial rule will not be to abolish all distinctions growing out of geographical considerations, and to charge every applicant a fair remuneration for the trouble given by him to the office, but no more. Such a course would be just, generous, and noble; seeking to raise no revenue from those who are the special instruments of human advancement, showing a confidence in the capability of our own inventors to cope on equal terms with those of all the world besides, and taking no inconsiderable step in bringing about that great brotherhood of nations for which a higher civilization is gradually preparing the world."

"I think I have shown that the fee is not necessary for reciprocity nor for protection. I shall now endeavour to show that it is unjust in itself, inasmuch as it is more than an equivalent for the service done. All that the present patent law does is to give the inventor a prima facie title, and no more should be charged by Government than will pay the cost of making the examination, and performing the necessary labour connected with the case. In other words, the patent office should be made a self-sustaining institution, not a bank of deposit for accumulated taxes, to be a bone of contention between rival departments and bureaux. But it is notorious that the patent office has always more than sustained itself: it has accumulated a large fund, and, under legitimate management, must continue to accumulate. But, grant that it merely sus tains itself, should not the expense be equalised between all the parties concerned, and not be thrown in tenfold proportion upon foreign inventors, whose applications notoriously give the least trouble. If 30 dollars be enough for the American citizen to pay, surely 500 dollars, or even 300 dollars, is too much for the foreigner. "This exceptional case in the American law, call it discrimination or retaliation, exists in no other country. The French, the Dutch, the Belgian, the Austrian governments-all issue patents to British subjects on the same terms as to their own citizens, notwithstanding the British fee is greatly higher than their own; and the English government makes no distinction whatever between natives and foreigners. To adopt a contrary principle, would be an attempt on the part of the nation so adopting, to force, in this matter, her own system of domestic

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POSTAL ANOMALIES.

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An unstamped newspaper, under two ounces in weight, pays 4d. postage from Westminster to Kensington, but only 1d. from Westminster to New York. In order to send an unstamped paper once through the post at 1d., its weight must be kept under half an ounce, but a stamped newspaper, over four ounces, may go FOR EVER for a single penny. In order to obtain the postal privilage for a paper

NOT a newspaper, it is necessary to give security against blasphemy and sedition, and to make a solemn statutory declaration that what is alone to be published is a newspaper. Mr. Milner Gibson has given notice for Tuesday, May 16th-" To call attention to the present unsatisfactory state of the Law affecting the Press, and to move the following Resolution :-"That it is the opinion of this House that the Laws in reference to the Periodical Press and Newspaper Stamp are ill-defined and unequally enforced; and it appears to this House that the subject demands the early consideration of Parliament."

SEWING MACHINES.

By Dr. H. WAMPEN.*

or machine-system manufactory subjects everythingnamely, to produce an article or garment for the smallest possible amount of cost, regardless of everything else except the greatest appearance of fineness, that is, the external shine, termed the refined. This fineness, however, consists in the thinness and soft feeling of the cloth, arising from the combination of cotton and wool in the manufacture, &c. (little cost), the result belonging to the art of cloth manufacture; and for which reason, then, the workman in a garment manufacture can have no part. Farther, as every master of a slop or machine-system manufacture never will or can comprehend that the forms of the human figure have any connection with designing and scientific modelling for garments, no one is ever employed by them in this department, though it is the only It is asserted of these machines that they may prove ture. But instead of adopting such refinement it is most refined, viewing dress as a fine art, in a garment manufacthe means of emancipating all persons in every depart positively rejected, and substituted with copies, fac-similes ment of industry where sewing is required; in order that of patterns, in the different sizes of small, middling, such branches of industry may be monopolized in a few and large, and all of the same kind of form, blocked hands, and that the great mass of humanity now employed out of tin, lasting interminably. Here then is stiff, in them may enjoy the sunshine of life without labour, or hard finality, stamped out of metal, checking all profind some other more healthy, easy, and refined occupation. To enter into the questions of what there would be left of gress in art, design, and science, which would suit Mr. Brunel. These tin shapes are placed in the employments for a large body of the people, or what hands of a person who, having to cut out by them, is misery must be endured by them during the transition, termed a cutter, and in a strict sense of the word a cutter would lead us farther than belongs to the purpose of this he must be in many ways. A rule is given to him: the work. But when it is asserted by slop manufacturers of clothing that the sewing machine will not allow of the garment must be general, and for no especial form of a human figure. Thus are enumerated all the departments use of cotton-it is confidently to be hoped not of rotten or branches in the manufacture of garments, without cotton-then it is worth the attention of the public to find finding a refined part upon which ever could or would be the difference between the art and the slop manufacture in a slop or machine-system manufacture a single indiviof this branch of industry. First, an art manufacturer of dual employed. Indeed, it is well-known that a person clothing never uses cotton in sewing, but the best of silk of artistic skill and scientific knowledge would even be and thread, the only materials suitable for cloth. In this respect the instrument is to be commended, as it cannot do rejected. Thus, it is not true that in a slop or machinethat which is blameable, although poor hungry half-system manufacture of garments there is a part or branch upon which any single person, still less several starved men must. But besides this, the public should not be led to believe that a mere flat straight line, or flat is but the fine (thin), set off with fine words, to make the persons are engaged; and, lastly, the so-termed refined curved line sewing constitutes the correct sewing of a gar- public believe they get articles of art manufacture, ment. By no means; though in flat sewing the machine when in reality those so-termed are but slop ones. is for some cases useful, the sewing of a garment properly Second, having now dwelt on the system of slop manuis in the holding of its parts, while being sewed, or put facture, and brought with it art manufacture in the course together, in such a position as that the garment, if it is of argument in connection, it is but just to bring also the cut out after a correct design and model, shall fall unconstrained, easily, and naturally to the figure for which it principles of this forward, and show that the art manufacture of garments or dress is a special and true branch, was especially intended. Intelligent workmen have mind, which may justly be termed the refined, or in other words and that mind contains perceptions and conceptions of the the artistic and scientific. It will then be admitted that forms of the figure, gained by studying and drawing them in an art manufacture of dress the first principle is the bein all their variety. But not so has the machine, nor the comingness of the dress to the special form of figure for machine-system trained individual who works but which such dress is intended; second, the best material like a machine. This is, then, in respect to sewing. in real internal quality; third, the paying a remunerating the difference between a garment made by an art manu-price, where talent in art and knowledge in science is exfacturer and one by a slop manufacturer, or, in other pended, in order that the perfect may be reached. With words, manufactured according to the machine sys- these principles it may fairly be presumed that the really tem. Second, in the same breath these slop manufac-refined is to be found and cultivated. In an art manuturers assert that the employment of the sewing machine would prove immensely profitable if it could be made to work with cotton; and as the public demand more and more the refined, the people, instead of engaging in the heavy work, might be employed in the refined and lighter branches. This would appear as if slop and machinesystem manufacturers could and would furnish the public with the refined and artistic articles of apparel or

costume.

As we know, from close observation and from knowledge of the matter, that such is not the case, and farther, as the object of the work in hand is to cultivate the refined or the artistic and scientific part of this branch of industry, it follows that the subject finds a place here.

facture of dress, perfectly arranged, first is employed a designer and modeller, a person of thorough scientific and aesthetic knowledge of the human figure, and who is well skilled in the application of that learning to the designing and modelling art for dress, without failing to design and construct a model for every special dress or garment; second, persons to cut out by those designs or models. If the establishment is not sufficiently large, then the designing and modelling, with the cutting out department, are united in a foreman; or the master takes the designing and modelling part in his own hand, and employs a cutter only; or the master cuts out and employs a designer and modeller. Here we see that in an art manufacture of dress, the refined, or, in other words, the

First, then, is the question, What does a slop manufac-designing and modelling in dress, is really in every positurer of clothing mean by the refined? Before it is answered, the principle must be pointed out to which slop * Excerpt "Mathematical Instruction in Constructing Models for Draping the Human Figure." By Dr. H. Wampen.

Messrs. Boone.

tion paramount and cultivated, when in the slop manufacture it is as truly annhilated. Nay, the very principle of the one is to make it paramount, when the principle of the other is to destroy it.

Perhaps this slight sketch may aid the public to discri

minate between articles going under the same name of dress, but which come from different manufacturers; and, further, it may be a caution to influential persons and societies against lending themselves as mere advertisements for spurious articles, while they kindly and good-naturedly believe themselves promoting the cultiva tion of art and science in connection with industry. Let every one know that when the machine system, supported by a mercantile spirit, seizes upon dress, the refined and the beautiful vanish as if touched by destruction, when in the other branches of industry it may be completely successful. The refined or the beautiful in dress is only brought forth by artistic work in the fine-art spirit, based upon a scientific foundation, namely, on the knowledge of the forms of the human figure, and cultivated in connection with it.

Third, if the public. from a deficiency of taste, is unable to discriminate between those articles of dress which are becoming to the special form of the figure for which they are made, that is to say, between the beautiful in form and the disharmonious and unsightly, then there is the more need to promote a cultivation of taste; that the public feels the real want of this cultivation is shown by its eagerly looking after fashion journals, the forms in which it takes for the really beautiful, when in truth they give nothing more than changes of form in dress void of it altogether. But to cultivate true taste in the really beautiful, sculpture and painting must take the lead, and that in a manner suiting our modern costume and time; doing so alone in ancient costume furnishes us only with the picturesque ornament, instead of cultivating taste scientifically in different kinds of form by our own figures, home apparel, and European costume; then, according to some few specimens of this which make their appearance in fine art, it is proved to be attainable.

Let us see farther if there is not also something wrong in the fine arts, similarly as we found perversion in our industrial art just named. The primitive forms of objects in nature and art in the realm of aesthetics are of the three kinds, the proportionate, the broad, and the slender; especially prominent in architectural forms and figures. We must commence by such primitive elements if we would start from inward conviction, and be really home. Such, however, is being demonstrated in a proper scientific course of instruction in our Anthropometry, but, in this sketch in hand it is only needful to relate how the mechanism of fine art studies is arranged. This is of two kinds: the one calculated to produce works for the picture dealer or seller, perfectly in the mercantile spirit, and which naturally must cost as little as possible. On these conditions one lay figure must suffice, which answers for both the male and female form. It is usually a female one, and raised to serve for a male figure. Here, then, are committed two faults, not only that the female form is made to present a natural male form, which can never be; but as the mechanism in such a lay figure is very confined, it cannot be extended in any other way than in the length of the lumbar region, the result is a positive ill figure,-positive incongruity in the parts, for a male figure. Now disharmony continues mixed up amongst otherwise harmonious elements, as shade and light, sentiment, expression, life, power, gentleness, &c., does violence to nature, destroying harmony, and with it

the beautiful.

In some studios of this class not even as much as this is bestowed, but a painting is made up out of bits copied here and there.

Different is the appearance of the other studio to which we refer; it is altogether of higher tone and more truly deserving pretensions, where the art spirit works alone, for the consumer, not for the trafficker; nothing is here deficient; nothing is too costly which may assist in the production of the true and the refined natural; to call forth the beautiful by bringing in harmony constituently all the elements belonging to art. Here we find the studio furnished, for the mechanical arrangement in grouping, with three male lay figures, the proportionate, perfect to nature in all their parts. Drapery is ample, the broad, and the slender figures, and three female forms of the three same kinds. These are of life size, and not sparingly provided. Each figure has its suits of costume, specially adapted to it as corresponding in kind to its form. Not to have costumes harmonious and becoming to each kind would be a certain violation of the laws of harmony in form, just as great as if a part of one kind of form of the human figure would be substituted for a corresponding one of an opposite kind of form. Moreover, the shade and light being different in different kinds of forms, and different in groups from isolated forms, the progress is such in a piece of art that each part in the composition is kept in an equally advanced stage with the rest, from the rough sketch to the complete finish, in order that the harmony of shade and light is continuous, unbroken with the harmony in the parts of the forms. Thus is brought out of different kinds but harmonious elements a continuity of the harmonious, or rather the unbroken melody of form-the beautiful in objects of space-deep, expressive, though soft. The working from a group or groups of beautiful subjects, and a group of perfect and faultlessly draped lay figures, can truly assist to develop the above high qualities, which never can be reached by completely finishing one single figure, and then changing the model of that to finish from it a second, and so on. A group of figures should be like a landscape, remaining undisturbed until the artist has completed the whole; he must find it as he leaves it.

The models for the drapery are likewise with all care scientifically designed and constructed, and not less attention given to the proper putting together of the parts of the drapery formed after those models.

From an artist having at command such a studio or atelier so richly provided with mechanical means, it may fairly be expected he possesses the power of cultivating and refining taste, by giving natural and true harmony of form, combined with the other elements of fine arts' own special domain.

Enough has been said to shew that there are two descriptions of studios in the fine arts, as there are two sorts of them in our above-mentioned industrial branch, and it will likewise be seen where the refined and the cultivated are really produced, and where not, though assuming such. In conclusion, it will naturally be deduced from all that has been said that only the mind with its correct conceptions of the scientific (æsthetical laws in the refined and beautiful) can bring the refined and beautiful in an object of art, more especially so whenever a dressed human figure is the object; or, in other words, only a hand guided by intelligence, and not a machine of metal nor of human desh and bones can bring forth these qualities in dress; and for that reason society would be better off as respects manufactured dress, or human apparel to re

In respect to drapery or costume this studio is just as economically and meagrely provided. Garments from a slop manufacturer, regardless whether they are becoming, suitable, or harmonious with the form of the lay figure-ject, at least for home consumption, all machines and male figure form it has noue-are put on, and so one disharmony is mingled with another. Farther, by such meagre mechanical means one figure thus arranged must be quite finished before another can be commenced, which causes a feeling as if the whole picture were patched in piece by piece, instead of producing in the beholder the agreeable sensation which arises from perfect, undisturbed harmony.

machine systems, and let intelligent persons work to order for the consumer. A higher standard of intelligence and morals would be the practical result among a large portion of the industrial class, with the diminution of pauperism and its attendant evils.

Home Correspondence.*

MATERIALS FOR PAPER MAKING.

SIR,-The short time which remained for discussion after the reading of the paper on Wednesday evening, precluded my offering any observations on its subject, and, therefore, I am induced to trouble you with the following remarks on one or two points which appear to me to have an important bearing on some of the matters noticed in the paper read by Dr. Royle.

One subject he prominently brought under the notice of the Society is the present high price of materials for the manufacture of paper. I believe the following figures fairly represent the comparative prices of several sorts of the staple material, rags, in the years 1852 and 1854:1852. 1854. 32s. to 34s. per cwt.

A

B

C

D

26s.

16s. 11s. 6d. 7s.

20s. 15s. 10s.

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Although the principal material, rags are not the only article in which a large rise has taken place, bleaching salts, alkali, alum, hide-pieces for size, are also considerably dearer the last-named fifty per cent.-and every one is cognizant of the greatly increased cost of the important article coal. If these advanced prices were chiefly owing to the circumstance of war, it might be considered a temporary inconvenience, but it is gratifying to think, although it increases the seriousness of the question, that the preponderating cause of the enhanced value of materials is due, not to the vagaries of despotism, but to the develop ment of civilisation. The rapid strides of our Australian colonies have caused a very large increase in the demand for paper; and, as an illustration, I may mention that an unique advertisement recently appeared in a Sydney newspaper. The proprietors offered a high price for paper suitable for their Journal: so increasing were the number of newspaper readers that the journalists felt it necessary thus to appeal to the public for supplies of paper. This represents but a small fraction of the truth. In Hamburgh, and all the Mediterranean markets, and even in our own, our American friends are competing severely for Europe's old rags from which to make paper. A third, but I hope only temporary cause may also be named, I allude to the strikes and general slackness amongst our cotton manufacturers; hence less cotton waste is produced, causing those papermakers who chiefly use that description of material to go into other markets for supplies. The rise appears therefore to be caused by a circumstance which every right-minded person must feel to be satisfactory-it is the increased demand for paper in all parts of the world, indicating progress of mind, growing capacity for intellectual enjoyment, and more extended ability to gratify the acquired taste for reading and writing.

The question is frequently asked, "Why do not the Americans collect their own rags ?" I apprehend the answer to be twofold:-First, happily the sources of employment open are so numerous and profitable that most persons can earn more at some other occupation than eollecting rags; secondly, the ability to read, and the power of purchasing newspapers, books, &c., are so universal, that the demand for paper is much greater than can be met by any possible internal supply of rags. I could wish the European nations were similarly situated, and should be willing to risk the probable effects on the price of paper.

From the best estimate I can form, I think we shall not err in setting down the cost at which manufacturers now produce the 177,633,009 lbs. weight of paper, which

*The greater number of these letters were in type last week, and that from Mr. Doull has unavoidably stood over for two numbers.-ED.

it may be assumed will be made this year, at £1,000,000 more than the same weight would have cost in 1852. In 1832 only 64,935,655 lbs. of paper were manufactured in Great Britain, so that in twenty years the manufacturere being 177,633,009 lbs. has nearly trebled its production, in 1853 the quantity

If the manufacture should keep at its present point only, the high price of material is likely to be permanent, but as the demand for paper will probably go on increasing, it well becomes the Society of Arts to prospect, if I may use the expression, for raw materials for this commodity. That as nearly a century ago paper was experimentally made the supply of paper will ever fail I have no fear, inasmuch from upwards of thirty different materials, and more recently attempts have been made, not without some success, to manufacture it on a large scale from plantain fibre, peat, wood shavings, hop-bines, straw, &c. Some specimens made a year or two ago from plantain fibre, were undistinguishable from good printing paper made from rags; I am not aware of the cause of suspension of operations. Experiments are still going on, I believe, under a recent patent for the manufacture of wood paper. A patent has also been recently taken out for the manufacture of paper from hop-bines. I fear the cost of reducing several of these substances to pulp will be found too great to allow of the preparation being remunerative, even at the present high price of rags.

According to the views propounded on Wednesday evening, Dr. Royle and the speakers generally seemed to regard the various fibres then described as sources of ample supply for the paper-maker. In quantity and quality I will not for a moment dispute the point, but, with every desire to see the price of paper materials low, and, in my opinion, it is second to " cheap bread" only in importance, I am certain we shall not accomplish the ob ject by self-deception on any one important fact; and neither hopes, wishes, nor experiments can Overcome market price; and on this ground I venture to express my doubts of the present availableness of the substances so ably pleaded for by Dr Royle. I find on inquiry this day, that the present market price of Manilla hemp is from 70s. to 76s.; jute, 27s. to 32s.; sunn, 27s. to 32s. per cwt.; for plantain fibre I could not obtain the quotation. Now the best white English and foreign cotton and linen rags, suitable for making writing paper, do not range above 31s. per cwt., and these suggested raw fibres would require much more chemical treatment than the rags of the same price. The rags have been brought into a textile condition from the original fibrous state at a certain cost, which has been defrayed by the use to which the rags were applied whilst in the state of garments, &c. ; if, therefore, the substances mentioned on Wednesday could be used in lieu of the best rags it would only be a case of substitution-no advantage in price would be gained. The greatest rise, be it observed, has occurred in the lower quality of paper materials, and it is additional supplies of this description. which are needed. If these new fibres be introduced for this purpose the case is still worse, manufacturers would be using a 32s. article for the production of paper, the ordinary materials for which are now only 10s. per cwt. It is not the original cost of fibre merely which must be considered, but also waste in manufacture, chemicals, cost of power, wear and tear and replacement of machinery, wages, duty, and profit, truly a formidable list of obstacles to cheapness.

Having offered these remarks on the various propositions which have been brought forward for removing the difficulty, I may be allowed to direct attention to what I conceive to be the true source of relief. I had hoped to have celebrated the repeal of the duty long ere this, but under present circumstances this happy event must be considered as indefinitely postponed; the repeal, however, come when it may, will be equivalent to an average reduction in price of about 20 per cent. The repeal of the duty, although it would to a certain extent lower the actual price of paper, would, I have no doubt, have

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