Oldalképek
PDF
ePub

III.

If whatever face thou paintest

In those eyes grows pale with pleasure, If the fainting soul is faintest

When it hears thy harp's wild measure, Wonder not that, when thou speakest, Of the weak my heart is weakest.

IV.

As dew beneath the wind of morning,
As the sea which whirlwinds waken,
As the birds at thunder's warning,
As aught mute but deeply shaken,
As one who feels an unseen spirit,
heart when thine is near it.

Is

my

ON THE MEDUSA OF LEONARDO DA VINCI,

IN THE FLORENTINE GALLERY.

I.

Ir lieth, gazing on the midnight sky,
Upon the cloudy mountain peak supine;
Below, far lands are seen tremblingly ;

Its horror and its beauty are divine.
Upon its lips and eyelids seems to lie
Loveliness like a shadow, from which shine,
Fiery and lurid, struggling underneath,
The agonies of anguish and of death.

II.

Yet it is less the horror than the grace

Which turns the gazer's spirit into stone;
Whereon the lineaments of that dead face

Are graven, till the characters be grown
Into itself, and thought no more can trace;

'Tis the melodious hue of beauty thrown
Athwart the darkness and the glare of pain,
Which humanize and harmonize the strain.

III.

And from its head as from one body grow,
grass out of a watery rock,

As

Hairs which are vipers, and they curl and flow
And their long tangles in each other lock,
And with unending involutions shew

Their mailed radiance, as it were to mock
The torture and the death within, and saw
The solid air with many a ragged jaw.

IV.

And from a stone beside, a poisonous eft
Peeps idly into those Gorgonian eyes;
Whilst in the air a ghastly bat, bereft

Of sense, has flitted with a mad surprise
Out of the cave this hideous light had cleft,

And he comes hastening like a moth that hies After a taper; and the midnight sky

Flares, a light more dread than obscurity.

V.

'Tis the tempestuous loveliness of terror; For from the serpents gleams a brazen glare Kindled by that inextricable error,

Which makes a thrilling vapour of the air Become a and ever-shifting mirror

Of all the beauty and the terror there —

A woman's countenance, with serpent locks,

Gazing in death on heaven from those wet rocks.

TO WILLIAM SHELLEY.

(With what truth I may say -
Roma! Roma! Roma!
Non è più come era prima!)

I.

My lost William, thou in whom
Some bright spirit lived, and did
That decaying robe consume
Which its lustre faintly hid,
Here its ashes find a tomb,
But beneath this pyramid

[blocks in formation]

Like thee can die, thy funeral shrine
Is thy mother's grief and mine.

II.

Where art thou, my gentle child?
Let me think thy spirit feeds,
With its life intense and mild,

The love of living leaves and weeds, Among these tombs and ruins wild ;

Let me think that through low seeds Of the sweet flowers and sunny grass, Into their hues and scents may pass A portion

THE SENSITIVE PLANT.

PART FIRST.

A SENSITIVE Plant in a garden grew,
And the young winds fed it with silver dew,
And it opened its fan-like leaves to the light,
And closed them beneath the kisses of night.

And the Spring arose on the garden fair,
Like the Spirit of Love felt every where ;
And each flower and herb on Earth's dark breast
Rose from the dreams of its wintry rest.

But none ever trembled and panted with bliss
In the garden, the field, or the wilderness,

Like a doe in the noon-tide with love's sweet want,
As the companionless Sensitive Plant.

The snow-drop, and then the violet,

Arose from the ground with warm rain wet,

And their breath was mixed with fresh odour, sent

From the turf, like the voice and the instrument.

« ElőzőTovább »